should and will apologise.’
Pyotr Petrovitch took a stronger line.
‘There are insults, Avdotya Romanovna, which no good-
will can make us forget. There is a line in everything which
it is dangerous to overstep; and when it has been over-
stepped, there is no return.’
‘That wasn’t what I was speaking of exactly, Pyotr Petro-
vitch,’ Dounia interrupted with some impatience. ‘Please
understand that our whole future depends now on wheth-
Crime and Punishment
er all this is explained and set right as soon as possible. I
tell you frankly at the start that I cannot look at it in any
other light, and if you have the least regard for me, all this
business must be ended to-day, however hard that may be.
I repeat that if my brother is to blame he will ask your for-
giveness.’
‘I am surprised at your putting the question like that,’
said Luzhin, getting more and more irritated. ‘Esteeming,
and so to say, adoring you, I may at the same time, very
well indeed, be able to dislike some member of your family.
Though I lay claim to the happiness of your hand, I cannot
accept duties incompatible with …’
‘Ah, don’t be so ready to take offence, Pyotr Petrovitch,’
Dounia interrupted with feeling, ‘and be the sensible and
generous man I have always considered, and wish to con-
sider, you to be. I’ve given you a great promise, I am your
betrothed. Trust me in this matter and, believe me, I shall
be capable of judging impartially. My assuming the part of
judge is as much a surprise for my brother as for you. When
I insisted on his coming to our interview to-day after your
letter, I told him nothing of what I meant to do. Understand
that, if you are not reconciled, I must choose between you—
it must be either you or he. That is how the question rests
on your side and on his. I don’t want to be mistaken in my
choice, and I must not be. For your sake I must break off
with my brother, for my brother’s sake I must break off with
you. I can find out for certain now whether he is a brother
to me, and I want to know it; and of you, whether I am dear
to you, whether you esteem me, whether you are the hus-
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band for me.’
‘Avdotya Romanovna,’ Luzhin declared huffily, ‘your
words are of too much consequence to me; I will say more,
they are offensive in view of the position I have the hon-
our to occupy in relation to you. To say nothing of your
strange and offensive setting me on a level with an im-
pertinent boy, you admit the possibility of breaking your
promise to me. You say ‘you or he,’ showing thereby of how
little consequence I am in your eyes … I cannot let this pass
considering the relationship and … the obligations existing
between us.’
‘What!’ cried Dounia, flushing. ‘I set your interest beside
all that has hitherto been most precious in my life, what has
made up the whole of my life, and here you are offended at
my making too little account of you.’
Raskolnikov smiled sarcastically, Razumihin fidgeted,
but Pyotr Petrovitch did not accept the reproof; on the con-
trary, at every word he became more persistent and irritable,
as though he relished it.
‘Love for the future partner of your life, for your hus-
band, ought to outweigh your love for your brother,’ he
pronounced sententiously, ‘and in any case I cannot be put
on the same level…. Although I said so emphatically that
I would not speak openly in your brother’s presence, nev-
ertheless, I intend now to ask your honoured mother for a
necessary explanation on a point of great importance close-
ly affecting my dignity. Your son,’ he turned to Pulcheria
Alexandrovna, ‘yesterday in the presence of Mr. Razsud-
kin (or … I think that’s it? excuse me I have forgotten your
Crime and Punishment
surname,’ he bowed politely to Razumihin) ‘insulted me
by misrepresenting the idea I expressed to you in a private
conversation, drinking coffee, that is, that marriage with a
poor girl who has had experience of trouble is more advan-
tageous from the conjugal point of view than with one who
has lived in luxury, since it is more profitable for the moral
character. Your son intentionally exaggerated the signifi-
cance of my words and made them ridiculous, accusing
me of malicious intentions, and, as far as I could see, relied
upon your correspondence with him. I shall consider my-
self happy, Pulcheria Alexandrovna, if it is possible for you
to convince me of an opposite conclusion, and thereby con-
siderately reassure me. Kindly let me know in what terms
precisely you repeated my words in your letter to Rodion
Romanovitch.’
‘I don’t remember,’ faltered Pulcheria Alexandrovna. ‘I
repeated them as I understood them. I don’t know how Ro-
dya repeated them to you, perhaps he exaggerated.’
‘He could not have exaggerated them, except at your in-
stigation.’
‘Pyotr Petrovitch,’ Pulcheria Alexandrovna declared
with dignity, ‘the proof that Dounia and I did not take your
words in a very bad sense is the fact that we are here.’
‘Good, mother,’ said Dounia approvingly.
‘Then this is my fault again,’ said Luzhin, aggrieved.
‘Well, Pyotr Petrovitch, you keep blaming Rodion, but
you yourself have just written what was false about him,’
Pulcheria Alexandrovna added, gaining courage.
‘I don’t remember writing anything false.’
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‘You wrote,’ Raskolnikov said sharply, not turning to Lu-
zhin, ‘that I gave money yesterday not to the widow of the
man who was killed, as was the fact, but to his daughter
(whom I had never seen till yesterday). You wrote this to
make dissension between me and my family, and for that
object added coarse expressions about the conduct of a girl
whom you don’t know. All that is mean slander.’
‘Excuse me, sir,’ said Luzhin, quivering with fury. ‘I en-
larged upon your qualities and conduct in my letter solely
in response to your sister’s and mother’s inquiries, how I
found you, and what impression you made on me. As for
what you’ve alluded to in my letter, be so good as to point
out one word of falsehood, show, that is, that you didn’t
throw away your money, and that there are not worthless
persons in that family, however unfortunate.’
‘To my thinking, you, with all your virtues, are not worth
the little finger of that unfortunate girl at whom you throw
stones.’
‘Would you go so far then as to let her associate with your
mother and sister?’
‘I have done so already, if you care to know. I made her sit
down to-day with mother and Dounia.’
‘Rodya!’ cried Pulcheria Alexandrovna. Dounia crim-
soned, Razumihin knitted his brows. Luzhin smiled with
lofty sarcasm.
‘You may see for yourself, Avdotya Romanovna,’ he said,
‘whether it is possible for us to agree. I hope now that this
question is at an end, once and for all. I will withdraw, that
I may not hinder the pleasures of family intimacy, and the
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0
discussion of secrets.’ He got up from his chair and took
his hat. ‘But in withdrawing, I venture to request that for
the future I may be spared similar meetings, and, so to say,
compromises. I appeal particularly to you, honoured Pul-
cheria Alexandrovna, on this subject, the more as my letter
was addressed to you and to no one else.’
Pulcheria Alexandrovna was a little offended.
‘You seem to think we are completely under your author-
ity, Pyotr Petrovitch. Dounia has told you the reason your
desire was disregarded, she had the best intentions. And in-
deed you write as though you were laying commands upon
me. Are we to consider every desire of yours as a command?
Let me tell you on the contrary that you ought to show par-
ticular delicacy and consideration for us now, because we
have thrown up everything, and have come here relying on
you, and so we are in any case in a sense in your hands.’
‘That is not quite true, Pulcheria Alexandrovna, espe-
cially at the present moment, when the news has come of
Marfa Petrovna’s legacy, which seems indeed very apropos,
judging from the new tone you take to me,’ he added sar-
castically.
‘Judging from that remark, we may certainly presume
that you were reckoning on our helplessness,’ Dounia ob-
served irritably.
‘But now in any case I cannot reckon on it, and I par-
ticularly desire not to hinder your discussion of the secret
proposals of Arkady Ivanovitch Svidrigaïlov, which he has
entrusted to your brother and which have, I perceive, a great
and possibly a very agreeable interest for you.’
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‘Good heavens!’ cried Pulcheria Alexandrovna.
Razumihin could not sit still on his chair.
‘Aren’t you ashamed now, sister?’ asked Raskolnikov.
‘I am ashamed, Rodya,’ said Dounia. ‘Pyotr Petrovitch,
go away,’ she turned to him, white with anger.
Pyotr Petrovitch had apparently not at all expected such
a conclusion. He had too much confidence in himself, in his
power and in the helplessness of his victims. He could not
believe it even now. He turned pale, and his lips quivered.
‘Avdotya Romanovna, if I go out of this door now, after
such a dismissal, then, you may reckon on it, I will never
come back. Consider what you are doing. My word is not
to be shaken.’
‘What insolence!’ cried Dounia, springing up from her
seat. ‘I don’t want you to come back again.’
‘What! So that’s how it stands!’ cried Luzhin, utterly un-
able to the last moment to believe in the rupture and so
completely thrown out of his reckoning now. ‘So that’s how
it stands! But do you know, Avdotya Romanovna, that I
might protest?’
‘What right have you to speak to her like that?’ Pulcheria
Alexandrovna intervened hotly. ‘And what can you protest
about? What rights have you? Am I to give my Dounia to a
man like you? Go away, leave us altogether! We are to blame
for having agreed to a wrong action, and I above all….’
‘But you have bound me, Pulcheria Alexandrovna,’ Lu-
zhin stormed in a frenzy, ‘by your promise, and now you
deny it and … besides … I have been led on account of that
into expenses….’
Crime and Punishment
This last complaint was so characteristic of Pyotr Petro-
vitch, that Raskolnikov, pale with anger and with the effort
of restraining it, could not help breaking into laughter. But
Pulcheria Alexandrovna was furious.
‘Expenses? What expenses? Are you speaking of our
trunk? But the conductor brought it for nothing for you.
Mercy on us, we have bound you! What are you thinking
about, Pyotr Petrovitch, it was you bound us, hand and foot,
not we!’
‘Enough, mother, no more please,’ Avdotya Romanovna
implored. ‘Pyotr Petrovitch, do be kind and go!’
‘I am going, but one last word,’ he said, quite unable to
control himself. ‘Your mamma seems to have entirely for-
gotten that I made up my mind to take you, so to speak,
after the gossip of the town had spread all over the district
in regard to your reputation. Disregarding public opinion
for your sake and reinstating your reputation, I certainly
might very well reckon on a fitting return, and might in-
deed look for gratitude on your part. And my eyes have only
now been opened! I see myself that I may have acted very,
very recklessly in disregarding the universal verdict….’
‘Does the fellow want his head smashed?’ cried Razumi-
hin, jumping up.
‘You are a mean and spiteful man!’ cried Dounia.
‘Not a word! Not a movement!’ cried Raskolnikov, hold-
ing Razumihin back; then going close up to Luzhin, ‘Kindly
leave the room!’ he said quietly and distinctly, ‘and not a
word more or …’
Pyotr Petrovitch gazed at him for some seconds with a
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pale face that worked with anger, then he turned, went out,
and rarely has any man carried away in his heart such vin-
dictive hatred as he felt against Raskolnikov. Him, and him
alone, he blamed for everything. It is noteworthy that as he
went downstairs he still imagined that his case was perhaps
not utterly lost, and that, so far as the ladies were concerned,
all might ‘very well indeed’ be set right again.
Crime and Punishment
Chapter III
T
he fact was that up to the last moment he had never ex-
pected such an ending; he had been overbearing to the
last degree, never dreaming that two destitute and defence-
less women could escape from his control. This conviction
was strengthened by his vanity and conceit, a conceit to the
point of fatuity. Pyotr Petrovitch, who had made his way up
from insignificance, was morbidly given to self-admiration,
had the highest opinion of his intelligence and capacities,
and sometimes even gloated in solitude over his image in
the glass. But what he loved and valued above all was the
money he had amassed by his labour, and by all sorts of de-
vices: that money made him the equal of all who had been
his superiors.
When he had bitterly reminded Dounia that he had de-
cided to take her in spite of evil report, Pyotr Petrovitch had
spoken with perfect sincerity and had, indeed, felt genuine-
ly indignant at such ‘black ingratitude.’ And yet, when he
made Dounia his offer, he was fully aware of the ground-
lessness of all the gossip. The story had been everywhere
contradicted by Marfa Petrovna, and was by then disbe-
lieved by all the townspeople, who were warm in Dounia’a
defence. And he would not have denied that he knew all that
at the time. Yet he still thought highly of his own resolution
in lifting Dounia to his level and regarded it as something
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heroic. In speaking of it to Dounia, he had let out the secret
feeling he cherished and admired, and he could not under-
stand that others should fail to admire it too. He had called
on Raskolnikov with the feelings of a benefactor who is
about to reap the fruits of his good deeds and to hear agree-
able flattery. And as he went downstairs now, he considered
himself most undeservedly injured and unrecognised.
Dounia was simply essential to him; to do without her
was unthinkable. For many years he had had voluptuous
dreams of marriage, but he had gone on waiting and amass-
ing money. He brooded with relish, in profound secret, over
the image of a girl—virtuous, poor (she must be poor), very
young, very pretty, of good birth and education, very timid,
one who had suffered much, and was completely humbled
before him, one who would all her life look on him as her
saviour, worship him, admire him and only him. How
many scenes, how many amorous episodes he had imag-
ined on this seductive and playful theme, when his work
was over! And, behold, the dream of so many years was
all but realised; the beauty and education of Avdotya Ro-
manovna had impressed him; her helpless position had been
a great allurement; in her he had found even more than he
dreamed of. Here was a girl of pride, character, virtue, of
education and breeding superior to his own (he felt that),
and this creature would be slavishly grateful all her life for
his heroic condescension, and would humble herself in the
dust before him, and he would have absolute, unbounded
power over her! … Not long before, he had, too, after long
reflection and hesitation, made an important change in his
Crime and Punishment
career and was now entering on a wider circle of business.
With this change his cherished dreams of rising into a high-
er class of society seemed likely to be realised…. He was, in
fact, determined to try his fortune in Petersburg. He knew
that women could do a very great deal. The fascination of a
charming, virtuous, highly educated woman might make
his way easier, might do wonders in attracting people to
him, throwing an aureole round him, and now everything
was in ruins! This sudden horrible rupture affected him like
a clap of thunder; it was like a hideous joke, an absurdity.
He had only been a tiny bit masterful, had not even time
to speak out, had simply made a joke, been carried away
—and it had ended so seriously. And, of course, too, he did
love Dounia in his own way; he already possessed her in his
dreams—and all at once! No! The next day, the very next
day, it must all be set right, smoothed over, settled. Above
all he must crush that conceited milksop who was the cause
of it all. With a sick feeling he could not help recalling Ra-
zumihin too, but, he soon reassured himself on that score;
as though a fellow like that could be put on a level with him!
The man he really dreaded in earnest was Svidrigaïlov…. He
had, in short, a great deal to attend to….
*****
‘No, I, I am more to blame than anyone!’ said Dounia,
kissing and embracing her mother. ‘I was tempted by his
money, but on my honour, brother, I had no idea he was
such a base man. If I had seen through him before, nothing
would have tempted me! Don’t blame me, brother!’
‘God has delivered us! God has delivered us!’ Pulcheria
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Alexandrovna muttered, but half consciously, as though
scarcely able to realise what had happened.
They were all relieved, and in five minutes they were
laughing. Only now and then Dounia turned white and
frowned, remembering what had passed. Pulcheria Alexan-
drovna was surprised to find that she, too, was glad: she had
only that morning thought rupture with Luzhin a terrible
misfortune. Razumihin was delighted. He did not yet dare
to express his joy fully, but he was in a fever of excitement as
though a ton-weight had fallen off his heart. Now he had the
right to devote his life to them, to serve them…. Anything
might happen now! But he felt afraid to think of further
possibilities and dared not let his imagination range. But
Raskolnikov sat still in the same place, almost sullen and
indifferent. Though he had been the most insistent on get-
ting rid of Luzhin, he seemed now the least concerned at
what had happened. Dounia could not help thinking that
he was still angry with her, and Pulcheria Alexandrovna
watched him timidly.
‘What did Svidrigaïlov say to you?’ said Dounia, ap-
proaching him.
‘Yes, yes!’ cried Pulcheria Alexandrovna.
Raskolnikov raised his head.
‘He wants to make you a present of ten thousand roubles
and he desires to see you once in my presence.’
‘See her! On no account!’ cried Pulcheria Alexandrovna.
‘And how dare he offer her money!’
Then Raskolnikov repeated (rather dryly) his conversa-
tion with Svidrigaïlov, omitting his account of the ghostly
Crime and Punishment
visitations of Marfa Petrovna, wishing to avoid all unneces-
sary talk.
‘What answer did you give him?’ asked Dounia.
‘At first I said I would not take any message to you. Then
he said that he would do his utmost to obtain an interview
with you without my help. He assured me that his passion
for you was a passing infatuation, now he has no feeling for
you. He doesn’t want you to marry Luzhin…. His talk was
altogether rather muddled.’
‘How do you explain him to yourself, Rodya? How did
he strike you?’
‘I must confess I don’t quite understand him. He offers
you ten thousand, and yet says he is not well off. He says
he is going away, and in ten minutes he forgets he has said
it. Then he says is he going to be married and has already
fixed on the girl…. No doubt he has a motive, and probably
a bad one. But it’s odd that he should be so clumsy about it if
he had any designs against you…. Of course, I refused this
money on your account, once for all. Altogether, I thought
him very strange…. One might almost think he was mad.
But I may be mistaken; that may only be the part he as-
sumes. The death of Marfa Petrovna seems to have made a
great impression on him.’
‘God rest her soul,’ exclaimed Pulcheria Alexandrovna.
‘I shall always, always pray for her! Where should we be
now, Dounia, without this three thousand! It’s as though it
had fallen from heaven! Why, Rodya, this morning we had
only three roubles in our pocket and Dounia and I were just
planning to pawn her watch, so as to avoid borrowing from
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that man until he offered help.’
Dounia seemed strangely impressed by Svidrigaïlov’s of-
fer. She still stood meditating.
‘He has got some terrible plan,’ she said in a half whisper
to herself, almost shuddering.
Raskolnikov noticed this disproportionate terror.
‘I fancy I shall have to see him more than once again,’ he
said to Dounia.
‘We will watch him! I will track him out!’ cried Razumi-
hin, vigorously. ‘I won’t lose sight of him. Rodya has given
me leave. He said to me himself just now. ‘Take care of my
sister.’ Will you give me leave, too, Avdotya Romanovna?’
Dounia smiled and held out her hand, but the look of
anxiety did not leave her face. Pulcheria Alexandrovna
gazed at her timidly, but the three thousand roubles had
obviously a soothing effect on her.
A quarter of an hour later, they were all engaged in a
lively conversation. Even Raskolnikov listened attentively
for some time, though he did not talk. Razumihin was the
speaker.
‘And why, why should you go away?’ he flowed on ecstati-
cally. ‘And what are you to do in a little town? The great
thing is, you are all here together and you need one an-
other—you do need one another, believe me. For a time,
anyway…. Take me into partnership, and I assure you we’ll
plan a capital enterprise. Listen! I’ll explain it all in detail
to you, the whole project! It all flashed into my head this
morning, before anything had happened … I tell you what;
I have an uncle, I must introduce him to you (a most ac-
Crime and Punishment
0
commodating and respectable old man). This uncle has got
a capital of a thousand roubles, and he lives on his pension
and has no need of that money. For the last two years he has
been bothering me to borrow it from him and pay him six
per cent. interest. I know what that means; he simply wants
to help me. Last year I had no need of it, but this year I re-
solved to borrow it as soon as he arrived. Then you lend me
another thousand of your three and we have enough for a
start, so we’ll go into partnership, and what are we going
to do?’
Then Razumihin began to unfold his project, and he
explained at length that almost all our publishers and book-
sellers know nothing at all of what they are selling, and for
that reason they are usually bad publishers, and that any
decent publications pay as a rule and give a profit, some-
times a considerable one. Razumihin had, indeed, been
dreaming of setting up as a publisher. For the last two years
he had been working in publishers’ offices, and knew three
European languages well, though he had told Raskolnikov
six days before that he was ‘schwach’ in German with an
object of persuading him to take half his translation and
half the payment for it. He had told a lie then, and Raskol-
nikov knew he was lying.
‘Why, why should we let our chance slip when we have
one of the chief means of success—money of our own!’ cried
Razumihin warmly. ‘Of course there will be a lot of work,
but we will work, you, Avdotya Romanovna, I, Rodion….
You get a splendid profit on some books nowadays! And the
great point of the business is that we shall know just what
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wants translating, and we shall be translating, publishing,
learning all at once. I can be of use because I have experi-
ence. For nearly two years I’ve been scuttling about among
the publishers, and now I know every detail of their busi-
ness. You need not be a saint to make pots, believe me! And
why, why should we let our chance slip! Why, I know—and
I kept the secret—two or three books which one might get
a hundred roubles simply for thinking of translating and
publishing. Indeed, and I would not take five hundred for
the very idea of one of them. And what do you think? If I
were to tell a publisher, I dare say he’d hesitate—they are
such blockheads! And as for the business side, printing, pa-
per, selling, you trust to me, I know my way about. We’ll
begin in a small way and go on to a large. In any case it will
get us our living and we shall get back our capital.’
Dounia’s eyes shone.
‘I like what you are saying, Dmitri Prokofitch!’ she said.
‘I know nothing about it, of course,’ put in Pulcheria Al-
exandrovna, ‘it may be a good idea, but again God knows.
It’s new and untried. Of course, we must remain here at
least for a time.’ She looked at Rodya.
‘What do you think, brother?’ said Dounia.
‘I think he’s got a very good idea,’ he answered. ‘Of
course, it’s too soon to dream of a publishing firm, but we
certainly might bring out five or six books and be sure of
success. I know of one book myself which would be sure to
go well. And as for his being able to manage it, there’s no
doubt about that either. He knows the business…. But we
can talk it over later….’
Crime and Punishment
‘Hurrah!’ cried Razumihin. ‘Now, stay, there’s a flat here
in this house, belonging to the same owner. It’s a special
flat apart, not communicating with these lodgings. It’s fur-
nished, rent moderate, three rooms. Suppose you take them
to begin with. I’ll pawn your watch to-morrow and bring
you the money, and everything can be arranged then. You
can all three live together, and Rodya will be with you. But
where are you off to, Rodya?’
‘What, Rodya, you are going already?’ Pulcheria Alexan-
drovna asked in dismay.
‘At such a minute?’ cried Razumihin.
Dounia looked at her brother with incredulous won-
der. He held his cap in his hand, he was preparing to leave
them.
‘One would think you were burying me or saying good-
bye for ever,’ he said somewhat oddly. He attempted to
smile, but it did not turn out a smile. ‘But who knows, per-
haps it is the last time we shall see each other …’ he let slip
accidentally. It was what he was thinking, and it somehow
was uttered aloud.
‘What is the matter with you?’ cried his mother.
‘Where are you going, Rodya?’ asked Dounia rather
strangely.
‘Oh, I’m quite obliged to …’ he answered vaguely, as
though hesitating what he would say. But there was a look
of sharp determination in his white face.
‘I meant to say … as I was coming here … I meant to
tell you, mother, and you, Dounia, that it would be better
for us to part for a time. I feel ill, I am not at peace…. I will
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come afterwards, I will come of myself … when it’s possible.
I remember you and love you…. Leave me, leave me alone.
I decided this even before … I’m absolutely resolved on it.
Whatever may come to me, whether I come to ruin or not,
I want to be alone. Forget me altogether, it’s better. Don’t
inquire about me. When I can, I’ll come of myself or … I’ll
send for you. Perhaps it will all come back, but now if you
love me, give me up … else I shall begin to hate you, I feel
it…. Good-bye!’
‘Good God!’ cried Pulcheria Alexandrovna. Both his
mother and his sister were terribly alarmed. Razumihin
was also.
‘Rodya, Rodya, be reconciled with us! Let us be as before!’
cried his poor mother.
He turned slowly to the door and slowly went out of the
room. Dounia overtook him.
‘Brother, what are you doing to mother?’ she whispered,
her eyes flashing with indignation.
He looked dully at her.
‘No matter, I shall come…. I’m coming,’ he muttered in
an undertone, as though not fully conscious of what he was
saying, and he went out of the room.
‘Wicked, heartless egoist!’ cried Dounia.
‘He is insane, but not heartless. He is mad! Don’t you see
it? You’re heartless after that!’ Razumihin whispered in her
ear, squeezing her hand tightly. ‘I shall be back directly,’ he
shouted to the horror- stricken mother, and he ran out of
the room.
Raskolnikov was waiting for him at the end of the pas-
Crime and Punishment
sage.
‘I knew you would run after me,’ he said. ‘Go back to
them—be with them … be with them to-morrow and al-
ways…. I … perhaps I shall come … if I can. Good-bye.’
And without holding out his hand he walked away.
‘But where are you going? What are you doing? What’s
the matter with you? How can you go on like this?’ Razu-
mihin muttered, at his wits’ end.
Raskolnikov stopped once more.
‘Once for all, never ask me about anything. I have noth-
ing to tell you. Don’t come to see me. Maybe I’ll come here….
Leave me, but don’t leave them. Do you understand me?’
It was dark in the corridor, they were standing near the
lamp. For a minute they were looking at one another in
silence. Razumihin remembered that minute all his life. Ras-
kolnikov’s burning and intent eyes grew more penetrating
every moment, piercing into his soul, into his conscious-
ness. Suddenly Razumihin started. Something strange, as
it were, passed between them…. Some idea, some hint, as it
were, slipped, something awful, hideous, and suddenly un-
derstood on both sides…. Razumihin turned pale.
‘Do you understand now?’ said Raskolnikov, his face
twitching nervously. ‘Go back, go to them,’ he said suddenly,
and turning quickly, he went out of the house.
I will not attempt to describe how Razumihin went back
to the ladies, how he soothed them, how he protested that
Rodya needed rest in his illness, protested that Rodya was
sure to come, that he would come every day, that he was
very, very much upset, that he must not be irritated, that he,
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Razumihin, would watch over him, would get him a doctor,
the best doctor, a consultation…. In fact from that evening
Razumihin took his place with them as a son and a brother.
Crime and Punishment
Chapter IV
R
askolnikov went straight to the house on the canal bank
where Sonia lived. It was an old green house of three
storeys. He found the porter and obtained from him vague
directions as to the whereabouts of Kapernaumov, the tailor.
Having found in the corner of the courtyard the entrance
to the dark and narrow staircase, he mounted to the second
floor and came out into a gallery that ran round the whole
second storey over the yard. While he was wandering in the
darkness, uncertain where to turn for Kapernaumov’s door,
a door opened three paces from him; he mechanically took
hold of it.
‘Who is there?’ a woman’s voice asked uneasily.
‘It’s I … come to see you,’ answered Raskolnikov and he
walked into the tiny entry.
On a broken chair stood a candle in a battered copper
candlestick.
‘It’s you! Good heavens!’ cried Sonia weakly, and she
stood rooted to the spot.
‘Which is your room? This way?’ and Raskolnikov, trying
not to look at her, hastened in.
A minute later Sonia, too, came in with the candle, set
down the candlestick and, completely disconcerted, stood
before him inexpressibly agitated and apparently fright-
ened by his unexpected visit. The colour rushed suddenly
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to her pale face and tears came into her eyes … She felt sick
and ashamed and happy, too…. Raskolnikov turned away
quickly and sat on a chair by the table. He scanned the
room in a rapid glance.
It was a large but exceedingly low-pitched room, the only
one let by the Kapernaumovs, to whose rooms a closed door
led in the wall on the left. In the opposite side on the right
hand wall was another door, always kept locked. That led
to the next flat, which formed a separate lodging. Sonia’s
room looked like a barn; it was a very irregular quadrangle
and this gave it a grotesque appearance. A wall with three
windows looking out on to the canal ran aslant so that one
corner formed a very acute angle, and it was difficult to see
in it without very strong light. The other corner was dis-
proportionately obtuse. There was scarcely any furniture
in the big room: in the corner on the right was a bedstead,
beside it, nearest the door, a chair. A plain, deal table cov-
ered by a blue cloth stood against the same wall, close to the
door into the other flat. Two rush-bottom chairs stood by
the table. On the opposite wall near the acute angle stood
a small plain wooden chest of drawers looking, as it were,
lost in a desert. That was all there was in the room. The
yellow, scratched and shabby wall- paper was black in the
corners. It must have been damp and full of fumes in the
winter. There was every sign of poverty; even the bedstead
had no curtain.
Sonia looked in silence at her visitor, who was so atten-
tively and unceremoniously scrutinising her room, and
even began at last to tremble with terror, as though she was
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standing before her judge and the arbiter of her destinies.
‘I am late…. It’s eleven, isn’t it?’ he asked, still not lifting
his eyes.
‘Yes,’ muttered Sonia, ‘oh yes, it is,’ she added, hastily, as
though in that lay her means of escape. ‘My landlady’s clock
has just struck … I heard it myself….’
‘I’ve come to you for the last time,’ Raskolnikov went on
gloomily, although this was the first time. ‘I may perhaps
not see you again …’
‘Are you … going away?’
‘I don’t know … to-morrow….’
‘Then you are not coming to Katerina Ivanovna to-mor-
row?’ Sonia’s voice shook.
‘I don’t know. I shall know to-morrow morning…. Never
mind that: I’ve come to say one word….’
He raised his brooding eyes to her and suddenly noticed
that he was sitting down while she was all the while stand-
ing before him.
‘Why are you standing? Sit down,’ he said in a changed
voice, gentle and friendly.
She sat down. He looked kindly and almost compassion-
ately at her.
‘How thin you are! What a hand! Quite transparent, like
a dead hand.’
He took her hand. Sonia smiled faintly.
‘I have always been like that,’ she said.
‘Even when you lived at home?’
‘Yes.’
‘Of course, you were,’ he added abruptly and the expres-
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sion of his face and the sound of his voice changed again
suddenly.
He looked round him once more.
‘You rent this room from the Kapernaumovs?’
‘Yes….’
‘They live there, through that door?’
‘Yes…. They have another room like this.’
‘All in one room?’
‘Yes.’
‘I should be afraid in your room at night,’ he observed
gloomily.
‘They are very good people, very kind,’ answered Sonia,
who still seemed bewildered, ‘and all the furniture, every-
thing … everything is theirs. And they are very kind and
the children, too, often come to see me.’
‘They all stammer, don’t they?’
‘Yes…. He stammers and he’s lame. And his wife, too….
It’s not exactly that she stammers, but she can’t speak plain-
ly. She is a very kind woman. And he used to be a house serf.
And there are seven children … and it’s only the eldest one
that stammers and the others are simply ill … but they don’t
stammer…. But where did you hear about them?’ she added
with some surprise.
‘Your father told me, then. He told me all about you….
And how you went out at six o’clock and came back at nine
and how Katerina Ivanovna knelt down by your bed.’
Sonia was confused.
‘I fancied I saw him to-day,’ she whispered hesitatingly.
‘Whom?’
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0
‘Father. I was walking in the street, out there at the cor-
ner, about ten o’clock and he seemed to be walking in front.
It looked just like him. I wanted to go to Katerina Ivanov-
na….’
‘You were walking in the streets?’
‘Yes,’ Sonia whispered abruptly, again overcome with
confusion and looking down.
‘Katerina Ivanovna used to beat you, I dare say?’
‘Oh no, what are you saying? No!’ Sonia looked at him
almost with dismay.
‘You love her, then?’
‘Love her? Of course!’ said Sonia with plaintive empha-
sis, and she clasped her hands in distress. ‘Ah, you don’t….
If you only knew! You see, she is quite like a child…. Her
mind is quite unhinged, you see … from sorrow. And how
clever she used to be … how generous … how kind! Ah, you
don’t understand, you don’t understand!’
Sonia said this as though in despair, wringing her hands
in excitement and distress. Her pale cheeks flushed, there
was a look of anguish in her eyes. It was clear that she was
stirred to the very depths, that she was longing to speak,
to champion, to express something. A sort of insatiable
compassion, if one may so express it, was reflected in every
feature of her face.
‘Beat me! how can you? Good heavens, beat me! And if
she did beat me, what then? What of it? You know nothing,
nothing about it…. She is so unhappy … ah, how unhap-
py! And ill…. She is seeking righteousness, she is pure. She
has such faith that there must be righteousness everywhere
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and she expects it…. And if you were to torture her, she
wouldn’t do wrong. She doesn’t see that it’s impossible for
people to be righteous and she is angry at it. Like a child,
like a child. She is good!’
‘And what will happen to you?’
Sonia looked at him inquiringly.
‘They are left on your hands, you see. They were all on
your hands before, though…. And your father came to you
to beg for drink. Well, how will it be now?’
‘I don’t know,’ Sonia articulated mournfully.
‘Will they stay there?’
‘I don’t know…. They are in debt for the lodging, but the
landlady, I hear, said to-day that she wanted to get rid of
them, and Katerina Ivanovna says that she won’t stay an-
other minute.’
‘How is it she is so bold? She relies upon you?’
‘Oh, no, don’t talk like that…. We are one, we live like
one.’ Sonia was agitated again and even angry, as though
a canary or some other little bird were to be angry. ‘And
what could she do? What, what could she do?’ she persist-
ed, getting hot and excited. ‘And how she cried to-day! Her
mind is unhinged, haven’t you noticed it? At one minute
she is worrying like a child that everything should be right
to-morrow, the lunch and all that…. Then she is wringing
her hands, spitting blood, weeping, and all at once she will
begin knocking her head against the wall, in despair. Then
she will be comforted again. She builds all her hopes on
you; she says that you will help her now and that she will
borrow a little money somewhere and go to her native town
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with me and set up a boarding school for the daughters of
gentlemen and take me to superintend it, and we will begin
a new splendid life. And she kisses and hugs me, comforts
me, and you know she has such faith, such faith in her fan-
cies! One can’t contradict her. And all the day long she has
been washing, cleaning, mending. She dragged the wash
tub into the room with her feeble hands and sank on the
bed, gasping for breath. We went this morning to the shops
to buy shoes for Polenka and Lida for theirs are quite worn
out. Only the money we’d reckoned wasn’t enough, not
nearly enough. And she picked out such dear little boots,
for she has taste, you don’t know. And there in the shop
she burst out crying before the shopmen because she hadn’t
enough…. Ah, it was sad to see her….’
‘Well, after that I can understand your living like this,’
Raskolnikov said with a bitter smile.
‘And aren’t you sorry for them? Aren’t you sorry?’ Sonia
flew at him again. ‘Why, I know, you gave your last penny
yourself, though you’d seen nothing of it, and if you’d seen
everything, oh dear! And how often, how often I’ve brought
her to tears! Only last week! Yes, I! Only a week before his
death. I was cruel! And how often I’ve done it! Ah, I’ve been
wretched at the thought of it all day!’
Sonia wrung her hands as she spoke at the pain of re-
membering it.
‘You were cruel?’
‘Yes, I—I. I went to see them,’ she went on, weeping, ‘and
father said, ‘read me something, Sonia, my head aches, read
to me, here’s a book.’ He had a book he had got from Andrey
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Semyonovitch Lebeziatnikov, he lives there, he always used
to get hold of such funny books. And I said, ‘I can’t stay,’ as
I didn’t want to read, and I’d gone in chiefly to show Kat-
erina Ivanovna some collars. Lizaveta, the pedlar, sold me
some collars and cuffs cheap, pretty, new, embroidered ones.
Katerina Ivanovna liked them very much; she put them on
and looked at herself in the glass and was delighted with
them. ‘Make me a present of them, Sonia,’ she said, ‘please
do.’ ‘Please do ‘ she said, she wanted them so much. And
when could she wear them? They just reminded her of her
old happy days. She looked at herself in the glass, admired
herself, and she has no clothes at all, no things of her own,
hasn’t had all these years! And she never asks anyone for
anything; she is proud, she’d sooner give away everything.
And these she asked for, she liked them so much. And I was
sorry to give them. ‘What use are they to you, Katerina Iva-
novna?’ I said. I spoke like that to her, I ought not to have
said that! She gave me such a look. And she was so grieved,
so grieved at my refusing her. And it was so sad to see….
And she was not grieved for the collars, but for my refus-
ing, I saw that. Ah, if only I could bring it all back, change it,
take back those words! Ah, if I … but it’s nothing to you!’
‘Did you know Lizaveta, the pedlar?’
‘Yes…. Did you know her?’ Sonia asked with some sur-
prise.
‘Katerina Ivanovna is in consumption, rapid consump-
tion; she will soon die,’ said Raskolnikov after a pause,
without answering her question.
‘Oh, no, no, no!’
Crime and Punishment
And Sonia unconsciously clutched both his hands, as
though imploring that she should not.
‘But it will be better if she does die.’
‘No, not better, not at all better!’ Sonia unconsciously re-
peated in dismay.
‘And the children? What can you do except take them to
live with you?’
‘Oh, I don’t know,’ cried Sonia, almost in despair, and she
put her hands to her head.
It was evident that that idea had very often occurred to
her before and he had only roused it again.
‘And, what, if even now, while Katerina Ivanovna is alive,
you get ill and are taken to the hospital, what will happen
then?’ he persisted pitilessly.
‘How can you? That cannot be!’
And Sonia’s face worked with awful terror.
‘Cannot be?’ Raskolnikov went on with a harsh smile.
‘You are not insured against it, are you? What will happen
to them then? They will be in the street, all of them, she will
cough and beg and knock her head against some wall, as
she did to-day, and the children will cry…. Then she will
fall down, be taken to the police station and to the hospital,
she will die, and the children …’
‘Oh, no…. God will not let it be!’ broke at last from So-
nia’s overburdened bosom.
She listened, looking imploringly at him, clasping her
hands in dumb entreaty, as though it all depended upon
him.
Raskolnikov got up and began to walk about the room. A
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minute passed. Sonia was standing with her hands and her
head hanging in terrible dejection.
‘And can’t you save? Put by for a rainy day?’ he asked,
stopping suddenly before her.
‘No,’ whispered Sonia.
‘Of course not. Have you tried?’ he added almost ironi-
cally.
‘Yes.’
‘And it didn’t come off! Of course not! No need to ask.’
And again he paced the room. Another minute passed.
‘You don’t get money every day?’
Sonia was more confused than ever and colour rushed
into her face again.
‘No,’ she whispered with a painful effort.
‘It will be the same with Polenka, no doubt,’ he said sud-
denly.
‘No, no! It can’t be, no!’ Sonia cried aloud in desperation,
as though she had been stabbed. ‘God would not allow any-
thing so awful!’
‘He lets others come to it.’
‘No, no! God will protect her, God!’ she repeated beside
herself.
‘But, perhaps, there is no God at all,’ Raskolnikov an-
swered with a sort of malignance, laughed and looked at
her.
Sonia’s face suddenly changed; a tremor passed over it.
She looked at him with unutterable reproach, tried to say
something, but could not speak and broke into bitter, bitter
sobs, hiding her face in her hands.
Crime and Punishment
‘You say Katerina Ivanovna’s mind is unhinged; your
own mind is unhinged,’ he said after a brief silence.
Five minutes passed. He still paced up and down the
room in silence, not looking at her. At last he went up to her;
his eyes glittered. He put his two hands on her shoulders
and looked straight into her tearful face. His eyes were hard,
feverish and piercing, his lips were twitching. All at once he
bent down quickly and dropping to the ground, kissed her
foot. Sonia drew back from him as from a madman. And
certainly he looked like a madman.
‘What are you doing to me?’ she muttered, turning pale,
and a sudden anguish clutched at her heart.
He stood up at once.
‘I did not bow down to you, I bowed down to all the suf-
fering of humanity,’ he said wildly and walked away to the
window. ‘Listen,’ he added, turning to her a minute later. ‘I
said just now to an insolent man that he was not worth your
little finger … and that I did my sister honour making her
sit beside you.’
‘Ach, you said that to them! And in her presence?’ cried
Sonia, frightened. ‘Sit down with me! An honour! Why, I’m
… dishonourable…. Ah, why did you say that?’
‘It was not because of your dishonour and your sin I said
that of you, but because of your great suffering. But you are
a great sinner, that’s true,’ he added almost solemnly, ‘and
your worst sin is that you have destroyed and betrayed your-
self for nothing. Isn’t that fearful? Isn’t it fearful that you are
living in this filth which you loathe so, and at the same time
you know yourself (you’ve only to open your eyes) that you
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are not helping anyone by it, not saving anyone from any-
thing? Tell me,’ he went on almost in a frenzy, ‘how this
shame and degradation can exist in you side by side with
other, opposite, holy feelings? It would be better, a thousand
times better and wiser to leap into the water and end it all!’
‘But what would become of them?’ Sonia asked faintly,
gazing at him with eyes of anguish, but not seeming sur-
prised at his suggestion.
Raskolnikov looked strangely at her. He read it all in her
face; so she must have had that thought already, perhaps
many times, and earnestly she had thought out in her de-
spair how to end it and so earnestly, that now she scarcely
wondered at his suggestion. She had not even noticed the
cruelty of his words. (The significance of his reproaches and
his peculiar attitude to her shame she had, of course, not
noticed either, and that, too, was clear to him.) But he saw
how monstrously the thought of her disgraceful, shame-
ful position was torturing her and had long tortured her.
‘What, what,’ he thought, ‘could hitherto have hindered her
from putting an end to it?’ Only then he realised what those
poor little orphan children and that pitiful half-crazy Kat-
erina Ivanovna, knocking her head against the wall in her
consumption, meant for Sonia.
But, nevertheless, it was clear to him again that with her
character and the amount of education she had after all re-
ceived, she could not in any case remain so. He was still
confronted by the question, how could she have remained
so long in that position without going out of her mind,
since she could not bring herself to jump into the water?
Crime and Punishment
Of course he knew that Sonia’s position was an exception-
al case, though unhappily not unique and not infrequent,
indeed; but that very exceptionalness, her tinge of educa-
tion, her previous life might, one would have thought, have
killed her at the first step on that revolting path. What held
her up—surely not depravity? All that infamy had obvi-
ously only touched her mechanically, not one drop of real
depravity had penetrated to her heart; he saw that. He saw
through her as she stood before him….
‘There are three ways before her,’ he thought, ‘the canal,
the madhouse, or … at last to sink into depravity which ob-
scures the mind and turns the heart to stone.’
The last idea was the most revolting, but he was a sceptic,
he was young, abstract, and therefore cruel, and so he could
not help believing that the last end was the most likely.
‘But can that be true?’ he cried to himself. ‘Can that
creature who has still preserved the purity of her spirit be
consciously drawn at last into that sink of filth and iniquity?
Can the process already have begun? Can it be that she has
only been able to bear it till now, because vice has begun to
be less loathsome to her? No, no, that cannot be!’ he cried,
as Sonia had just before. ‘No, what has kept her from the ca-
nal till now is the idea of sin and they, the children…. And
if she has not gone out of her mind … but who says she has
not gone out of her mind? Is she in her senses? Can one talk,
can one reason as she does? How can she sit on the edge of
the abyss of loathsomeness into which she is slipping and
refuse to listen when she is told of danger? Does she expect
a miracle? No doubt she does. Doesn’t that all mean mad-
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ness?’
He stayed obstinately at that thought. He liked that ex-
planation indeed better than any other. He began looking
more intently at her.
‘So you pray to God a great deal, Sonia?’ he asked her.
Sonia did not speak; he stood beside her waiting for an
answer.
‘What should I be without God?’ she whispered rapidly,
forcibly, glancing at him with suddenly flashing eyes, and
squeezing his hand.
‘Ah, so that is it!’ he thought.
‘And what does God do for you?’ he asked, probing her
further.
Sonia was silent a long while, as though she could not
answer. Her weak chest kept heaving with emotion.
‘Be silent! Don’t ask! You don’t deserve!’ she cried sud-
denly, looking sternly and wrathfully at him.
‘That’s it, that’s it,’ he repeated to himself.
‘He does everything,’ she whispered quickly, looking
down again.
‘That’s the way out! That’s the explanation,’ he decided,
scrutinising her with eager curiosity, with a new, strange,
almost morbid feeling. He gazed at that pale, thin, irregular,
angular little face, those soft blue eyes, which could flash
with such fire, such stern energy, that little body still shak-
ing with indignation and anger—and it all seemed to him
more and more strange, almost impossible. ‘She is a reli-
gious maniac!’ he repeated to himself.
There was a book lying on the chest of drawers. He had
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0
noticed it every time he paced up and down the room. Now
he took it up and looked at it. It was the New Testament
in the Russian translation. It was bound in leather, old and
worn.
‘Where did you get that?’ he called to her across the
room.
She was still standing in the same place, three steps from
the table.
‘It was brought me,’ she answered, as it were unwillingly,
not looking at him.
‘Who brought it?’
‘Lizaveta, I asked her for it.’
‘Lizaveta! strange!’ he thought.
Everything about Sonia seemed to him stranger and
more wonderful every moment. He carried the book to the
candle and began to turn over the pages.
‘Where is the story of Lazarus?’ he asked suddenly.
Sonia looked obstinately at the ground and would not
answer. She was standing sideways to the table.
‘Where is the raising of Lazarus? Find it for me, Sonia.’
She stole a glance at him.
‘You are not looking in the right place…. It’s in the fourth
gospel,’ she whispered sternly, without looking at him.
‘Find it and read it to me,’ he said. He sat down with his
elbow on the table, leaned his head on his hand and looked
away sullenly, prepared to listen.
‘In three weeks’ time they’ll welcome me in the mad-
house! I shall be there if I am not in a worse place,’ he
muttered to himself.
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Sonia heard Raskolnikov’s request distrustfully and
moved hesitatingly to the table. She took the book however.
‘Haven’t you read it?’ she asked, looking up at him across
the table.
Her voice became sterner and sterner.
‘Long ago…. When I was at school. Read!’
‘And haven’t you heard it in church?’
‘I … haven’t been. Do you often go?’
‘N-no,’ whispered Sonia.
Raskolnikov smiled.
‘I understand…. And you won’t go to your father’s fu-
neral to-morrow?’
‘Yes, I shall. I was at church last week, too … I had a re-
quiem service.’
‘For whom?’
‘For Lizaveta. She was killed with an axe.’
His nerves were more and more strained. His head be-
gan to go round.
‘Were you friends with Lizaveta?’
‘Yes…. She was good … she used to come … not often …
she couldn’t…. We used to read together and … talk. She
will see God.’
The last phrase sounded strange in his ears. And here
was something new again: the mysterious meetings with
Lizaveta and both of them— religious maniacs.
‘I shall be a religious maniac myself soon! It’s infectious!’
‘Read!’ he cried irritably and insistently.
Sonia still hesitated. Her heart was throbbing. She hard-
ly dared to read to him. He looked almost with exasperation
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at the ‘unhappy lunatic.’
‘What for? You don’t believe? …’ she whispered softly
and as it were breathlessly.
‘Read! I want you to,’ he persisted. ‘You used to read to
Lizaveta.’
Sonia opened the book and found the place. Her hands
were shaking, her voice failed her. Twice she tried to begin
and could not bring out the first syllable.
‘Now a certain man was sick named Lazarus of Bethany
…’ she forced herself at last to read, but at the third word her
voice broke like an overstrained string. There was a catch
in her breath.
Raskolnikov saw in part why Sonia could not bring
herself to read to him and the more he saw this, the more
roughly and irritably he insisted on her doing so. He un-
derstood only too well how painful it was for her to betray
and unveil all that was her own. He understood that these
feelings really were her secret treasure which she had kept
perhaps for years, perhaps from childhood, while she lived
with an unhappy father and a distracted stepmother crazed
by grief, in the midst of starving children and unseemly
abuse and reproaches. But at the same time he knew now
and knew for certain that, although it filled her with dread
and suffering, yet she had a tormenting desire to read and to
read to him that he might hear it, and to read now whatever
might come of it! … He read this in her eyes, he could see it
in her intense emotion. She mastered herself, controlled the
spasm in her throat and went on reading the eleventh chap-
ter of St. John. She went on to the nineteenth verse:
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‘And many of the Jews came to Martha and Mary to com-
fort them concerning their brother.
‘Then Martha as soon as she heard that Jesus was coming
went and met Him: but Mary sat still in the house.
‘Then said Martha unto Jesus, Lord, if Thou hadst been
here, my brother had not died.
‘But I know that even now whatsoever Thou wilt ask of
God, God will give it Thee….’
Then she stopped again with a shamefaced feeling that
her voice would quiver and break again.
‘Jesus said unto her, thy brother shall rise again.
‘Martha saith unto Him, I know that he shall rise again
in the resurrection, at the last day.
‘Jesus said unto her, I am the resurrection and the life: he
that believeth in Me though he were dead, yet shall he live.
‘And whosoever liveth and believeth in Me shall never
die. Believest thou this?
‘She saith unto Him,’
(And drawing a painful breath, Sonia read distinctly and
forcibly as though she were making a public confession of
faith.)
‘Yea, Lord: I believe that Thou art the Christ, the Son of
God Which should come into the world.’
She stopped and looked up quickly at him, but con-
trolling herself went on reading. Raskolnikov sat without
moving, his elbows on the table and his eyes turned away.
She read to the thirty-second verse.
‘Then when Mary was come where Jesus was and saw
Him, she fell down at His feet, saying unto Him, Lord if
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Thou hadst been here, my brother had not died.
‘When Jesus therefore saw her weeping, and the Jews also
weeping which came with her, He groaned in the spirit and
was troubled,
‘And said, Where have ye laid him? They said unto Him,
Lord, come and see.
‘Jesus wept.
‘Then said the Jews, behold how He loved him!
‘And some of them said, could not this Man which opened
the eyes of the blind, have caused that even this man should
not have died?’
Raskolnikov turned and looked at her with emotion.
Yes, he had known it! She was trembling in a real physi-
cal fever. He had expected it. She was getting near the story
of the greatest miracle and a feeling of immense triumph
came over her. Her voice rang out like a bell; triumph and
joy gave it power. The lines danced before her eyes, but she
knew what she was reading by heart. At the last verse ‘Could
not this Man which opened the eyes of the blind …’ drop-
ping her voice she passionately reproduced the doubt, the
reproach and censure of the blind disbelieving Jews, who
in another moment would fall at His feet as though struck
by thunder, sobbing and believing…. ‘And he, he—too, is
blinded and unbelieving, he, too, will hear, he, too, will be-
lieve, yes, yes! At once, now,’ was what she was dreaming,
and she was quivering with happy anticipation.
‘Jesus therefore again groaning in Himself cometh to the
grave. It was a cave, and a stone lay upon it.
‘Jesus said, Take ye away the stone. Martha, the sister of
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him that was dead, saith unto Him, Lord by this time he
stinketh: for he hath been dead four days.’
She laid emphasis on the word four.
‘Jesus saith unto her, Said I not unto thee that if thou
wouldest believe, thou shouldest see the glory of God?
‘Then they took away the stone from the place where the
dead was laid. And Jesus lifted up His eyes and said, Father,
I thank Thee that Thou hast heard Me.
‘And I knew that Thou hearest Me always; but because
of the people which stand by I said it, that they may believe
that Thou hast sent Me.
‘And when He thus had spoken, He cried with a loud
voice, Lazarus, come forth.
‘And he that was dead came forth.’
(She read loudly, cold and trembling with ecstasy, as
though she were seeing it before her eyes.)
‘Bound hand and foot with graveclothes; and his face was
bound about with a napkin. Jesus saith unto them, Loose
him and let him go.
‘Then many of the Jews which came to Mary and had
seen the things which Jesus did believed on Him.’
She could read no more, closed the book and got up from
her chair quickly.
‘That is all about the raising of Lazarus,’ she whispered
severely and abruptly, and turning away she stood motion-
less, not daring to raise her eyes to him. She still trembled
feverishly. The candle-end was flickering out in the battered
candlestick, dimly lighting up in the poverty-stricken room
the murderer and the harlot who had so strangely been read-
Crime and Punishment
ing together the eternal book. Five minutes or more passed.
‘I came to speak of something,’ Raskolnikov said aloud,
frowning. He got up and went to Sonia. She lifted her eyes
to him in silence. His face was particularly stern and there
was a sort of savage determination in it.
‘I have abandoned my family to-day,’ he said, ‘my moth-
er and sister. I am not going to see them. I’ve broken with
them completely.’
‘What for?’ asked Sonia amazed. Her recent meeting with
his mother and sister had left a great impression which she
could not analyse. She heard his news almost with horror.
‘I have only you now,’ he added. ‘Let us go together…. I’ve
come to you, we are both accursed, let us go our way to-
gether!’
His eyes glittered ‘as though he were mad,’ Sonia thought,
in her turn.
‘Go where?’ she asked in alarm and she involuntarily
stepped back.
‘How do I know? I only know it’s the same road, I know
that and nothing more. It’s the same goal!’
She looked at him and understood nothing. She knew
only that he was terribly, infinitely unhappy.
‘No one of them will understand, if you tell them, but
I have understood. I need you, that is why I have come to
you.’
‘I don’t understand,’ whispered Sonia.
‘You’ll understand later. Haven’t you done the same? You,
too, have transgressed … have had the strength to trans-
gress. You have laid hands on yourself, you have destroyed
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a life … your own (it’s all the same!). You might have lived
in spirit and understanding, but you’ll end in the Hay Mar-
ket…. But you won’t be able to stand it, and if you remain
alone you’ll go out of your mind like me. You are like a mad
creature already. So we must go together on the same road!
Let us go!’
‘What for? What’s all this for?’ said Sonia, strangely and
violently agitated by his words.
‘What for? Because you can’t remain like this, that’s why!
You must look things straight in the face at last, and not
weep like a child and cry that God won’t allow it. What will
happen, if you should really be taken to the hospital to-mor-
row? She is mad and in consumption, she’ll soon die and
the children? Do you mean to tell me Polenka won’t come
to grief? Haven’t you seen children here at the street cor-
ners sent out by their mothers to beg? I’ve found out where
those mothers live and in what surroundings. Children
can’t remain children there! At seven the child is vicious
and a thief. Yet children, you know, are the image of Christ:
‘theirs is the kingdom of Heaven.’ He bade us honour and
love them, they are the humanity of the future….’
‘What’s to be done, what’s to be done?’ repeated Sonia,
weeping hysterically and wringing her hands.
‘What’s to be done? Break what must be broken, once for
all, that’s all, and take the suffering on oneself. What, you
don’t understand? You’ll understand later…. Freedom and
power, and above all, power! Over all trembling creation
and all the ant-heap! … That’s the goal, remember that!
That’s my farewell message. Perhaps it’s the last time I shall
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speak to you. If I don’t come to-morrow, you’ll hear of it
all, and then remember these words. And some day later
on, in years to come, you’ll understand perhaps what they
meant. If I come to-morrow, I’ll tell you who killed Liza-
veta…. Good-bye.’
Sonia started with terror.
‘Why, do you know who killed her?’ she asked, chilled
with horror, looking wildly at him.
‘I know and will tell … you, only you. I have chosen you
out. I’m not coming to you to ask forgiveness, but simply to
tell you. I chose you out long ago to hear this, when your fa-
ther talked of you and when Lizaveta was alive, I thought of
it. Good-bye, don’t shake hands. To-morrow!’
He went out. Sonia gazed at him as at a madman. But
she herself was like one insane and felt it. Her head was go-
ing round.
‘Good heavens, how does he know who killed Lizaveta?
What did those words mean? It’s awful!’ But at the same
time the idea did not enter her head, not for a moment!
‘Oh, he must be terribly unhappy! … He has abandoned his
mother and sister…. What for? What has happened? And
what had he in his mind? What did he say to her? He had
kissed her foot and said … said (yes, he had said it clearly)
that he could not live without her…. Oh, merciful heavens!’
Sonia spent the whole night feverish and delirious. She
jumped up from time to time, wept and wrung her hands,
then sank again into feverish sleep and dreamt of Polenka,
Katerina Ivanovna and Lizaveta, of reading the gospel and
him … him with pale face, with burning eyes … kissing her
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feet, weeping.
On the other side of the door on the right, which divid-
ed Sonia’s room from Madame Resslich’s flat, was a room
which had long stood empty. A card was fixed on the gate
and a notice stuck in the windows over the canal advertis-
ing it to let. Sonia had long been accustomed to the room’s
being uninhabited. But all that time Mr. Svidrigaïlov had
been standing, listening at the door of the empty room.
When Raskolnikov went out he stood still, thought a mo-
ment, went on tiptoe to his own room which adjoined the
empty one, brought a chair and noiselessly carried it to the
door that led to Sonia’s room. The conversation had struck
him as interesting and remarkable, and he had greatly en-
joyed it—so much so that he brought a chair that he might
not in the future, to-morrow, for instance, have to endure
the inconvenience of standing a whole hour, but might lis-
ten in comfort.
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0
Chapter V
W
hen next morning at eleven o’clock punctually Raskol-
nikov went into the department of the investigation
of criminal causes and sent his name in to Porfiry Petro-
vitch, he was surprised at being kept waiting so long: it was
at least ten minutes before he was summoned. He had ex-
pected that they would pounce upon him. But he stood in
the waiting- room, and people, who apparently had nothing
to do with him, were continually passing to and fro before
him. In the next room which looked like an office, several
clerks were sitting writing and obviously they had no no-
tion who or what Raskolnikov might be. He looked uneasily
and suspiciously about him to see whether there was not
some guard, some mysterious watch being kept on him to
prevent his escape. But there was nothing of the sort: he
saw only the faces of clerks absorbed in petty details, then
other people, no one seemed to have any concern with him.
He might go where he liked for them. The conviction grew
stronger in him that if that enigmatic man of yesterday, that
phantom sprung out of the earth, had seen everything, they
would not have let him stand and wait like that. And would
they have waited till he elected to appear at eleven? Either
the man had not yet given information, or … or simply he
knew nothing, had seen nothing (and how could he have
seen anything?) and so all that had happened to him the
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day before was again a phantom exaggerated by his sick and
overstrained imagination. This conjecture had begun to
grow strong the day before, in the midst of all his alarm and
despair. Thinking it all over now and preparing for a fresh
conflict, he was suddenly aware that he was trembling—
and he felt a rush of indignation at the thought that he was
trembling with fear at facing that hateful Porfiry Petrovitch.
What he dreaded above all was meeting that man again; he
hated him with an intense, unmitigated hatred and was
afraid his hatred might betray him. His indignation was
such that he ceased trembling at once; he made ready to go
in with a cold and arrogant bearing and vowed to himself to
keep as silent as possible, to watch and listen and for once at
least to control his overstrained nerves. At that moment he
was summoned to Porfiry Petrovitch.
He found Porfiry Petrovitch alone in his study. His
study was a room neither large nor small, furnished with
a large writing-table, that stood before a sofa, upholstered
in checked material, a bureau, a bookcase in the corner
and several chairs—all government furniture, of polished
yellow wood. In the further wall there was a closed door, be-
yond it there were no doubt other rooms. On Raskolnikov’s
entrance Porfiry Petrovitch had at once closed the door by
which he had come in and they remained alone. He met his
visitor with an apparently genial and good-tempered air,
and it was only after a few minutes that Raskolnikov saw
signs of a certain awkwardness in him, as though he had
been thrown out of his reckoning or caught in something
very secret.
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‘Ah, my dear fellow! Here you are … in our domain’ …
began Porfiry, holding out both hands to him. ‘Come, sit
down, old man … or perhaps you don’t like to be called ‘my
dear fellow’ and ‘old man!’—/tout court? Please don’t think
it too familiar…. Here, on the sofa.’
Raskolnikov sat down, keeping his eyes fixed on him.
‘In our domain,’ the apologies for familiarity, the French
phrase tout court were all characteristic signs.
‘He held out both hands to me, but he did not give me
one—he drew it back in time,’ struck him suspiciously. Both
were watching each other, but when their eyes met, quick as
lightning they looked away.
‘I brought you this paper … about the watch. Here it is. Is
it all right or shall I copy it again?’
‘What? A paper? Yes, yes, don’t be uneasy, it’s all right,’
Porfiry Petrovitch said as though in haste, and after he had
said it he took the paper and looked at it. ‘Yes, it’s all right.
Nothing more is needed,’ he declared with the same rapid-
ity and he laid the paper on the table.
A minute later when he was talking of something else he
took it from the table and put it on his bureau.
‘I believe you said yesterday you would like to question
me … formally … about my acquaintance with the mur-
dered woman?’ Raskolnikov was beginning again. ‘Why
did I put in ‘I believe’’ passed through his mind in a flash.
‘Why am I so uneasy at having put in that ‘I believe’?’ came
in a second flash. And he suddenly felt that his uneasiness at
the mere contact with Porfiry, at the first words, at the first
looks, had grown in an instant to monstrous proportions,
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and that this was fearfully dangerous. His nerves were
quivering, his emotion was increasing. ‘It’s bad, it’s bad! I
shall say too much again.’
‘Yes, yes, yes! There’s no hurry, there’s no hurry,’ muttered
Porfiry Petrovitch, moving to and fro about the table with-
out any apparent aim, as it were making dashes towards the
window, the bureau and the table, at one moment avoiding
Raskolnikov’s suspicious glance, then again standing still
and looking him straight in the face.
His fat round little figure looked very strange, like a ball
rolling from one side to the other and rebounding back.
‘We’ve plenty of time. Do you smoke? have you your own?
Here, a cigarette!’ he went on, offering his visitor a cigarette.
‘You know I am receiving you here, but my own quarters
are through there, you know, my government quarters. But
I am living outside for the time, I had to have some repairs
done here. It’s almost finished now…. Government quar-
ters, you know, are a capital thing. Eh, what do you think?’
‘Yes, a capital thing,’ answered Raskolnikov, looking at
him almost ironically.
‘A capital thing, a capital thing,’ repeated Porfiry Petro-
vitch, as though he had just thought of something quite
different. ‘Yes, a capital thing,’ he almost shouted at last,
suddenly staring at Raskolnikov and stopping short two
steps from him.
This stupid repetition was too incongruous in its inepti-
tude with the serious, brooding and enigmatic glance he
turned upon his visitor.
But this stirred Raskolnikov’s spleen more than ever and
Crime and Punishment
he could not resist an ironical and rather incautious chal-
lenge.
‘Tell me, please,’ he asked suddenly, looking almost in-
solently at him and taking a kind of pleasure in his own
insolence. ‘I believe it’s a sort of legal rule, a sort of legal tra-
dition—for all investigating lawyers—to begin their attack
from afar, with a trivial, or at least an irrelevant subject, so
as to encourage, or rather, to divert the man they are cross-
examining, to disarm his caution and then all at once to
give him an unexpected knock-down blow with some fatal
question. Isn’t that so? It’s a sacred tradition, mentioned, I
fancy, in all the manuals of the art?’
‘Yes, yes…. Why, do you imagine that was why I spoke
about government quarters … eh?’
And as he said this Porfiry Petrovitch screwed up his
eyes and winked; a good-humoured, crafty look passed
over his face. The wrinkles on his forehead were smoothed
out, his eyes contracted, his features broadened and he sud-
denly went off into a nervous prolonged laugh, shaking all
over and looking Raskolnikov straight in the face. The latter
forced himself to laugh, too, but when Porfiry, seeing that
he was laughing, broke into such a guffaw that he turned
almost crimson, Raskolnikov’s repulsion overcame all pre-
caution; he left off laughing, scowled and stared with hatred
at Porfiry, keeping his eyes fixed on him while his intention-
ally prolonged laughter lasted. There was lack of precaution
on both sides, however, for Porfiry Petrovitch seemed to be
laughing in his visitor’s face and to be very little disturbed
at the annoyance with which the visitor received it. The lat-
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ter fact was very significant in Raskolnikov’s eyes: he saw
that Porfiry Petrovitch had not been embarrassed just be-
fore either, but that he, Raskolnikov, had perhaps fallen into
a trap; that there must be something, some motive here un-
known to him; that, perhaps, everything was in readiness
and in another moment would break upon him …
He went straight to the point at once, rose from his seat
and took his cap.
‘Porfiry Petrovitch,’ he began resolutely, though with
considerable irritation, ‘yesterday you expressed a desire
that I should come to you for some inquiries’ (he laid spe-
cial stress on the word ‘inquiries’). ‘I have come and if you
have anything to ask me, ask it, and if not, allow me to with-
draw. I have no time to spare…. I have to be at the funeral
of that man who was run over, of whom you … know also,’
he added, feeling angry at once at having made this addi-
tion and more irritated at his anger. ‘I am sick of it all, do
you hear? and have long been. It’s partly what made me ill.
In short,’ he shouted, feeling that the phrase about his ill-
ness was still more out of place, ‘in short, kindly examine
me or let me go, at once. And if you must examine me, do so
in the proper form! I will not allow you to do so otherwise,
and so meanwhile, good-bye, as we have evidently nothing
to keep us now.’
‘Good heavens! What do you mean? What shall I ques-
tion you about?’ cackled Porfiry Petrovitch with a change
of tone, instantly leaving off laughing. ‘Please don’t disturb
yourself,’ he began fidgeting from place to place and fussily
making Raskolnikov sit down. ‘There’s no hurry, there’s no
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hurry, it’s all nonsense. Oh, no, I’m very glad you’ve come
to see me at last … I look upon you simply as a visitor. And
as for my confounded laughter, please excuse it, Rodion
Romanovitch. Rodion Romanovitch? That is your name?
… It’s my nerves, you tickled me so with your witty obser-
vation; I assure you, sometimes I shake with laughter like
an india-rubber ball for half an hour at a time…. I’m often
afraid of an attack of paralysis. Do sit down. Please do, or I
shall think you are angry …’
Raskolnikov did not speak; he listened, watching him,
still frowning angrily. He did sit down, but still held his
cap.
‘I must tell you one thing about myself, my dear Rodion
Romanovitch,’ Porfiry Petrovitch continued, moving about
the room and again avoiding his visitor’s eyes. ‘You see, I’m
a bachelor, a man of no consequence and not used to soci-
ety; besides, I have nothing before me, I’m set, I’m running
to seed and … and have you noticed, Rodion Romanovitch,
that in our Petersburg circles, if two clever men meet who
are not intimate, but respect each other, like you and me, it
takes them half an hour before they can find a subject for
conversation—they are dumb, they sit opposite each oth-
er and feel awkward. Everyone has subjects of conversation,
ladies for instance … people in high society always have
their subjects of conversation, c’est de rigueur but people of
the middle sort like us, thinking people that is, are always
tongue-tied and awkward. What is the reason of it? Wheth-
er it is the lack of public interest, or whether it is we are so
honest we don’t want to deceive one another, I don’t know.
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What do you think? Do put down your cap, it looks as if
you were just going, it makes me uncomfortable … I am so
delighted …’
Raskolnikov put down his cap and continued listening
in silence with a serious frowning face to the vague and
empty chatter of Porfiry Petrovitch. ‘Does he really want to
distract my attention with his silly babble?’
‘I can’t offer you coffee here; but why not spend five min-
utes with a friend?’ Porfiry pattered on, ‘and you know all
these official duties … please don’t mind my running up
and down, excuse it, my dear fellow, I am very much afraid
of offending you, but exercise is absolutely indispensable for
me. I’m always sitting and so glad to be moving about for
five minutes … I suffer from my sedentary life … I always
intend to join a gymnasium; they say that officials of all
ranks, even Privy Councillors, may be seen skipping gaily
there; there you have it, modern science … yes, yes…. But
as for my duties here, inquiries and all such formalities …
you mentioned inquiries yourself just now … I assure you
these interrogations are sometimes more embarrassing for
the interrogator than for the interrogated…. You made the
observation yourself just now very aptly and wittily.’ (Ras-
kolnikov had made no observation of the kind.) ‘One gets
into a muddle! A regular muddle! One keeps harping on
the same note, like a drum! There is to be a reform and we
shall be called by a different name, at least, he-he-he! And
as for our legal tradition, as you so wittily called it, I thor-
oughly agree with you. Every prisoner on trial, even the
rudest peasant, knows that they begin by disarming him
Crime and Punishment
with irrelevant questions (as you so happily put it) and then
deal him a knock-down blow, he-he-he!—your felicitous
comparison, he-he! So you really imagined that I meant by
‘government quarters’ … he-he! You are an ironical person.
Come. I won’t go on! Ah, by the way, yes! One word leads
to another. You spoke of formality just now, apropos of the
inquiry, you know. But what’s the use of formality? In many
cases it’s nonsense. Sometimes one has a friendly chat and
gets a good deal more out of it. One can always fall back on
formality, allow me to assure you. And after all, what does
it amount to? An examining lawyer cannot be bounded by
formality at every step. The work of investigation is, so to
speak, a free art in its own way, he-he-he!’
Porfiry Petrovitch took breath a moment. He had sim-
ply babbled on uttering empty phrases, letting slip a few
enigmatic words and again reverting to incoherence. He
was almost running about the room, moving his fat little
legs quicker and quicker, looking at the ground, with his
right hand behind his back, while with his left making ges-
ticulations that were extraordinarily incongruous with his
words. Raskolnikov suddenly noticed that as he ran about
the room he seemed twice to stop for a moment near the
door, as though he were listening.
‘Is he expecting anything?’
‘You are certainly quite right about it,’ Porfiry began
gaily, looking with extraordinary simplicity at Raskol-
nikov (which startled him and instantly put him on his
guard); ‘certainly quite right in laughing so wittily at our
legal forms, he-he! Some of these elaborate psychological
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methods are exceedingly ridiculous and perhaps useless, if
one adheres too closely to the forms. Yes … I am talking of
forms again. Well, if I recognise, or more strictly speaking,
if I suspect someone or other to be a criminal in any case
entrusted to me … you’re reading for the law, of course, Ro-
dion Romanovitch?’
‘Yes, I was …’
‘Well, then it is a precedent for you for the future—though
don’t suppose I should venture to instruct you after the ar-
ticles you publish about crime! No, I simply make bold to
state it by way of fact, if I took this man or that for a criminal,
why, I ask, should I worry him prematurely, even though I
had evidence against him? In one case I may be bound, for
instance, to arrest a man at once, but another may be in
quite a different position, you know, so why shouldn’t I let
him walk about the town a bit? he-he-he! But I see you don’t
quite understand, so I’ll give you a clearer example. If I put
him in prison too soon, I may very likely give him, so to
speak, moral support, he-he! You’re laughing?’
Raskolnikov had no idea of laughing. He was sitting with
compressed lips, his feverish eyes fixed on Porfiry Petro-
vitch’s.
‘Yet that is the case, with some types especially, for men
are so different. You say ‘evidence’. Well, there may be evi-
dence. But evidence, you know, can generally be taken two
ways. I am an examining lawyer and a weak man, I confess
it. I should like to make a proof, so to say, mathematical-
ly clear. I should like to make a chain of evidence such as
twice two are four, it ought to be a direct, irrefutable proof!
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And if I shut him up too soon—even though I might be con-
vinced he was the man, I should very likely be depriving
myself of the means of getting further evidence against him.
And how? By giving him, so to speak, a definite position, I
shall put him out of suspense and set his mind at rest, so
that he will retreat into his shell. They say that at Sevastopol,
soon after Alma, the clever people were in a terrible fright
that the enemy would attack openly and take Sevastopol at
once. But when they saw that the enemy preferred a regular
siege, they were delighted, I am told and reassured, for the
thing would drag on for two months at least. You’re laugh-
ing, you don’t believe me again? Of course, you’re right, too.
You’re right, you’re right. These are special cases, I admit.
But you must observe this, my dear Rodion Romanovitch,
the general case, the case for which all legal forms and rules
are intended, for which they are calculated and laid down
in books, does not exist at all, for the reason that every case,
every crime, for instance, so soon as it actually occurs, at
once becomes a thoroughly special case and sometimes a
case unlike any that’s gone before. Very comic cases of that
sort sometimes occur. If I leave one man quite alone, if I
don’t touch him and don’t worry him, but let him know or
at least suspect every moment that I know all about it and
am watching him day and night, and if he is in continual
suspicion and terror, he’ll be bound to lose his head. He’ll
come of himself, or maybe do something which will make
it as plain as twice two are four—it’s delightful. It may be
so with a simple peasant, but with one of our sort, an intel-
ligent man cultivated on a certain side, it’s a dead certainty.
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For, my dear fellow, it’s a very important matter to know on
what side a man is cultivated. And then there are nerves,
there are nerves, you have overlooked them! Why, they are
all sick, nervous and irritable! … And then how they all
suffer from spleen! That I assure you is a regular gold-mine
for us. And it’s no anxiety to me, his running about the
town free! Let him, let him walk about for a bit! I know well
enough that I’ve caught him and that he won’t escape me.
Where could he escape to, he-he? Abroad, perhaps? A Pole
will escape abroad, but not here, especially as I am watching
and have taken measures. Will he escape into the depths of
the country perhaps? But you know, peasants live there, real
rude Russian peasants. A modern cultivated man would
prefer prison to living with such strangers as our peasants.
He-he! But that’s all nonsense, and on the surface. It’s not
merely that he has nowhere to run to, he is psychologically
unable to escape me, he-he! What an expression! Through
a law of nature he can’t escape me if he had anywhere to go.
Have you seen a butterfly round a candle? That’s how he will
keep circling and circling round me. Freedom will lose its
attractions. He’ll begin to brood, he’ll weave a tangle round
himself, he’ll worry himself to death! What’s more he will
provide me with a mathematical proof—if I only give him
long enough interval…. And he’ll keep circling round me,
getting nearer and nearer and then—flop! He’ll fly straight
into my mouth and I’ll swallow him, and that will be very
amusing, he-he-he! You don’t believe me?’
Raskolnikov made no reply; he sat pale and motionless,
still gazing with the same intensity into Porfiry’s face.
Crime and Punishment
‘It’s a lesson,’ he thought, turning cold. ‘This is beyond
the cat playing with a mouse, like yesterday. He can’t be
showing off his power with no motive … prompting me;
he is far too clever for that … he must have another object.
What is it? It’s all nonsense, my friend, you are pretending,
to scare me! You’ve no proofs and the man I saw had no
real existence. You simply want to make me lose my head,
to work me up beforehand and so to crush me. But you are
wrong, you won’t do it! But why give me such a hint? Is he
reckoning on my shattered nerves? No, my friend, you are
wrong, you won’t do it even though you have some trap for
me … let us see what you have in store for me.’
And he braced himself to face a terrible and unknown or-
deal. At times he longed to fall on Porfiry and strangle him.
This anger was what he dreaded from the beginning. He felt
that his parched lips were flecked with foam, his heart was
throbbing. But he was still determined not to speak till the
right moment. He realised that this was the best policy in
his position, because instead of saying too much he would
be irritating his enemy by his silence and provoking him
into speaking too freely. Anyhow, this was what he hoped
for.
‘No, I see you don’t believe me, you think I am playing
a harmless joke on you,’ Porfiry began again, getting more
and more lively, chuckling at every instant and again pac-
ing round the room. ‘And to be sure you’re right: God has
given me a figure that can awaken none but comic ideas in
other people; a buffoon; but let me tell you, and I repeat it,
excuse an old man, my dear Rodion Romanovitch, you are a
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man still young, so to say, in your first youth and so you put
intellect above everything, like all young people. Playful wit
and abstract arguments fascinate you and that’s for all the
world like the old Austrian Hof-kriegsrath as far as I can
judge of military matters, that is: on paper they’d beaten
Napoleon and taken him prisoner, and there in their study
they worked it all out in the cleverest fashion, but look you,
General Mack surrendered with all his army, he-he-he! I
see, I see, Rodion Romanovitch, you are laughing at a civil-
ian like me, taking examples out of military history! But I
can’t help it, it’s my weakness. I am fond of military science.
And I’m ever so fond of reading all military histories. I’ve
certainly missed my proper career. I ought to have been in
the army, upon my word I ought. I shouldn’t have been a
Napoleon, but I might have been a major, he-he! Well, I’ll
tell you the whole truth, my dear fellow, about this special
case I mean: actual fact and a man’s temperament, my dear
sir, are weighty matters and it’s astonishing how they some-
times deceive the sharpest calculation! I—listen to an old
man—am speaking seriously, Rodion Romanovitch’ (as
he said this Porfiry Petrovitch, who was scarcely five-and-
thirty, actually seemed to have grown old; even his voice
changed and he seemed to shrink together) ‘Moreover, I’m a
candid man … am I a candid man or not? What do you say?
I fancy I really am: I tell you these things for nothing and
don’t even expect a reward for it, he-he! Well, to proceed, wit
in my opinion is a splendid thing, it is, so to say, an adorn-
ment of nature and a consolation of life, and what tricks it
can play! So that it sometimes is hard for a poor examining
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lawyer to know where he is, especially when he’s liable to
be carried away by his own fancy, too, for you know he is a
man after all! But the poor fellow is saved by the criminal’s
temperament, worse luck for him! But young people carried
away by their own wit don’t think of that ‘when they over-
step all obstacles,’ as you wittily and cleverly expressed it
yesterday. He will lie—that is, the man who is a special case
the incognito, and he will lie well, in the cleverest fashion;
you might think he would triumph and enjoy the fruits of
his wit, but at the most interesting, the most flagrant mo-
ment he will faint. Of course there may be illness and a
stuffy room as well, but anyway! Anyway he’s given us the
idea! He lied incomparably, but he didn’t reckon on his tem-
perament. That’s what betrays him! Another time he will be
carried away by his playful wit into making fun of the man
who suspects him, he will turn pale as it were on purpose to
mislead, but his paleness will be too natural too much like
the real thing, again he has given us an idea! Though his
questioner may be deceived at first, he will think differently
next day if he is not a fool, and, of course, it is like that at
every step! He puts himself forward where he is not want-
ed, speaks continually when he ought to keep silent, brings
in all sorts of allegorical allusions, he-he! Comes and asks
why didn’t you take me long ago? he-he-he! And that can
happen, you know, with the cleverest man, the psychologist,
the literary man. The temperament reflects everything like
a mirror! Gaze into it and admire what you see! But why are
you so pale, Rodion Romanovitch? Is the room stuffy? Shall
I open the window?’
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‘Oh, don’t trouble, please,’ cried Raskolnikov and he sud-
denly broke into a laugh. ‘Please don’t trouble.’
Porfiry stood facing him, paused a moment and suddenly
he too laughed. Raskolnikov got up from the sofa, abruptly
checking his hysterical laughter.
‘Porfiry Petrovitch,’ he began, speaking loudly and dis-
tinctly, though his legs trembled and he could scarcely
stand. ‘I see clearly at last that you actually suspect me of
murdering that old woman and her sister Lizaveta. Let me
tell you for my part that I am sick of this. If you find that
you have a right to prosecute me legally, to arrest me, then
prosecute me, arrest me. But I will not let myself be jeered
at to my face and worried …’
His lips trembled, his eyes glowed with fury and he could
not restrain his voice.
‘I won’t allow it!’ he shouted, bringing his fist down on
the table. ‘Do you hear that, Porfiry Petrovitch? I won’t al-
low it.’
‘Good heavens! What does it mean?’ cried Porfiry Petro-
vitch, apparently quite frightened. ‘Rodion Romanovitch,
my dear fellow, what is the matter with you?’
‘I won’t allow it,’ Raskolnikov shouted again.
‘Hush, my dear man! They’ll hear and come in. Just think,
what could we say to them?’ Porfiry Petrovitch whispered in
horror, bringing his face close to Raskolnikov’s.
‘I won’t allow it, I won’t allow it,’ Raskolnikov repeated
mechanically, but he too spoke in a sudden whisper.
Porfiry turned quickly and ran to open the window.
‘Some fresh air! And you must have some water, my dear
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fellow. You’re ill!’ and he was running to the door to call
for some when he found a decanter of water in the corner.
‘Come, drink a little,’ he whispered, rushing up to him with
the decanter. ‘It will be sure to do you good.’
Porfiry Petrovitch’s alarm and sympathy were so natural
that Raskolnikov was silent and began looking at him with
wild curiosity. He did not take the water, however.
‘Rodion Romanovitch, my dear fellow, you’ll drive your-
self out of your mind, I assure you, ach, ach! Have some
water, do drink a little.’
He forced him to take the glass. Raskolnikov raised it
mechanically to his lips, but set it on the table again with
disgust.
‘Yes, you’ve had a little attack! You’ll bring back your ill-
ness again, my dear fellow,’ Porfiry Petrovitch cackled with
friendly sympathy, though he still looked rather discon-
certed. ‘Good heavens, you must take more care of yourself!
Dmitri Prokofitch was here, came to see me yesterday—I
know, I know, I’ve a nasty, ironical temper, but what they
made of it! … Good heavens, he came yesterday after you’d
been. We dined and he talked and talked away, and I could
only throw up my hands in despair! Did he come from you?
But do sit down, for mercy’s sake, sit down!’
‘No, not from me, but I knew he went to you and why he
went,’ Raskolnikov answered sharply.
‘You knew?’
‘I knew. What of it?’
‘Why this, Rodion Romanovitch, that I know more than
that about you; I know about everything. I know how you
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went to take a flat at night when it was dark and how you
rang the bell and asked about the blood, so that the work-
men and the porter did not know what to make of it. Yes,
I understand your state of mind at that time … but you’ll
drive yourself mad like that, upon my word! You’ll lose your
head! You’re full of generous indignation at the wrongs
you’ve received, first from destiny, and then from the police
officers, and so you rush from one thing to another to force
them to speak out and make an end of it all, because you
are sick of all this suspicion and foolishness. That’s so, isn’t
it? I have guessed how you feel, haven’t I? Only in that way
you’ll lose your head and Razumihin’s, too; he’s too good
a man for such a position, you must know that. You are ill
and he is good and your illness is infectious for him … I’ll
tell you about it when you are more yourself…. But do sit
down, for goodness’ sake. Please rest, you look shocking, do
sit down.’
Raskolnikov sat down; he no longer shivered, he was
hot all over. In amazement he listened with strained atten-
tion to Porfiry Petrovitch who still seemed frightened as he
looked after him with friendly solicitude. But he did not be-
lieve a word he said, though he felt a strange inclination to
believe. Porfiry’s unexpected words about the flat had ut-
terly overwhelmed him. ‘How can it be, he knows about the
flat then,’ he thought suddenly, ‘and he tells it me himself!’
‘Yes, in our legal practice there was a case almost exact-
ly similar, a case of morbid psychology,’ Porfiry went on
quickly. ‘A man confessed to murder and how he kept it up!
It was a regular hallucination; he brought forward facts, he
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imposed upon everyone and why? He had been partly, but
only partly, unintentionally the cause of a murder and when
he knew that he had given the murderers the opportunity,
he sank into dejection, it got on his mind and turned his
brain, he began imagining things and he persuaded him-
self that he was the murderer. But at last the High Court of
Appeal went into it and the poor fellow was acquitted and
put under proper care. Thanks to the Court of Appeal! Tut-
tut-tut! Why, my dear fellow, you may drive yourself into
delirium if you have the impulse to work upon your nerves,
to go ringing bells at night and asking about blood! I’ve
studied all this morbid psychology in my practice. A man
is sometimes tempted to jump out of a window or from a
belfry. Just the same with bell-ringing…. It’s all illness, Ro-
dion Romanovitch! You have begun to neglect your illness.
You should consult an experienced doctor, what’s the good
of that fat fellow? You are lightheaded! You were delirious
when you did all this!’
For a moment Raskolnikov felt everything going round.
‘Is it possible, is it possible,’ flashed through his mind,
‘that he is still lying? He can’t be, he can’t be.’ He rejected
that idea, feeling to what a degree of fury it might drive him,
feeling that that fury might drive him mad.
‘I was not delirious. I knew what I was doing,’ he cried,
straining every faculty to penetrate Porfiry’s game, ‘I was
quite myself, do you hear?’
‘Yes, I hear and understand. You said yesterday you
were not delirious, you were particularly emphatic about
it! I understand all you can tell me! A-ach! … Listen, Ro-
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dion Romanovitch, my dear fellow. If you were actually
a criminal, or were somehow mixed up in this damnable
business, would you insist that you were not delirious but in
full possession of your faculties? And so emphatically and
persistently? Would it be possible? Quite impossible, to my
thinking. If you had anything on your conscience, you cer-
tainly ought to insist that you were delirious. That’s so, isn’t
it?’
There was a note of slyness in this inquiry. Raskolnikov
drew back on the sofa as Porfiry bent over him and stared
in silent perplexity at him.
‘Another thing about Razumihin—you certainly ought
to have said that he came of his own accord, to have con-
cealed your part in it! But you don’t conceal it! You lay stress
on his coming at your instigation.’
Raskolnikov had not done so. A chill went down his
back.
‘You keep telling lies,’ he said slowly and weakly, twisting
his lips into a sickly smile, ‘you are trying again to show that
you know all my game, that you know all I shall say before-
hand,’ he said, conscious himself that he was not weighing
his words as he ought. ‘You want to frighten me … or you
are simply laughing at me …’
He still stared at him as he said this and again there was
a light of intense hatred in his eyes.
‘You keep lying,’ he said. ‘You know perfectly well that
the best policy for the criminal is to tell the truth as nearly
as possible … to conceal as little as possible. I don’t believe
you!’
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0
‘What a wily person you are!’ Porfiry tittered, ‘there’s no
catching you; you’ve a perfect monomania. So you don’t be-
lieve me? But still you do believe me, you believe a quarter;
I’ll soon make you believe the whole, because I have a sin-
cere liking for you and genuinely wish you good.’
Raskolnikov’s lips trembled.
‘Yes, I do,’ went on Porfiry, touching Raskolnikov’s arm
genially, ‘you must take care of your illness. Besides, your
mother and sister are here now; you must think of them.
You must soothe and comfort them and you do nothing but
frighten them …’
‘What has that to do with you? How do you know it?
What concern is it of yours? You are keeping watch on me
and want to let me know it?’
‘Good heavens! Why, I learnt it all from you yourself!
You don’t notice that in your excitement you tell me and
others everything. From Razumihin, too, I learnt a num-
ber of interesting details yesterday. No, you interrupted me,
but I must tell you that, for all your wit, your suspicious-
ness makes you lose the common-sense view of things. To
return to bell-ringing, for instance. I, an examining lawyer,
have betrayed a precious thing like that, a real fact (for it is a
fact worth having), and you see nothing in it! Why, if I had
the slightest suspicion of you, should I have acted like that?
No, I should first have disarmed your suspicions and not let
you see I knew of that fact, should have diverted your atten-
tion and suddenly have dealt you a knock-down blow (your
expression) saying: ‘And what were you doing, sir, pray, at
ten or nearly eleven at the murdered woman’s flat and why
1
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did you ring the bell and why did you ask about blood? And
why did you invite the porters to go with you to the police
station, to the lieutenant?’ That’s how I ought to have acted
if I had a grain of suspicion of you. I ought to have taken
your evidence in due form, searched your lodging and per-
haps have arrested you, too … so I have no suspicion of you,
since I have not done that! But you can’t look at it normally
and you see nothing, I say again.’
Raskolnikov started so that Porfiry Petrovitch could not
fail to perceive it.
‘You are lying all the while,’ he cried, ‘I don’t know your
object, but you are lying. You did not speak like that just
now and I cannot be mistaken!’
‘I am lying?’ Porfiry repeated, apparently incensed, but
preserving a good-humoured and ironical face, as though
he were not in the least concerned at Raskolnikov’s opinion
of him. ‘I am lying … but how did I treat you just now, I,
the examining lawyer? Prompting you and giving you ev-
ery means for your defence; illness, I said, delirium, injury,
melancholy and the police officers and all the rest of it? Ah!
He-he-he! Though, indeed, all those psychological means of
defence are not very reliable and cut both ways: illness, de-
lirium, I don’t remember—that’s all right, but why, my good
sir, in your illness and in your delirium were you haunted
by just those delusions and not by any others? There may
have been others, eh? He-he-he!’
Raskolnikov looked haughtily and contemptuously at
him.
‘Briefly,’ he said loudly and imperiously, rising to his feet
Crime and Punishment
and in so doing pushing Porfiry back a little, ‘briefly, I want
to know, do you acknowledge me perfectly free from suspi-
cion or not? Tell me, Porfiry Petrovitch, tell me once for all
and make haste!’
‘What a business I’m having with you!’ cried Porfiry with
a perfectly good-humoured, sly and composed face. ‘And
why do you want to know, why do you want to know so
much, since they haven’t begun to worry you? Why, you are
like a child asking for matches! And why are you so uneasy?
Why do you force yourself upon us, eh? He-he-he!’
‘I repeat,’ Raskolnikov cried furiously, ‘that I can’t put up
with it!’
‘With what? Uncertainty?’ interrupted Porfiry.
‘Don’t jeer at me! I won’t have it! I tell you I won’t have
it. I can’t and I won’t, do you hear, do you hear?’ he shouted,
bringing his fist down on the table again.
‘Hush! Hush! They’ll overhear! I warn you seriously, take
care of yourself. I am not joking,’ Porfiry whispered, but
this time there was not the look of old womanish good na-
ture and alarm in his face. Now he was peremptory, stern,
frowning and for once laying aside all mystification.
But this was only for an instant. Raskolnikov, bewil-
dered, suddenly fell into actual frenzy, but, strange to say,
he again obeyed the command to speak quietly, though he
was in a perfect paroxysm of fury.
‘I will not allow myself to be tortured,’ he whispered,
instantly recognising with hatred that he could not help
obeying the command and driven to even greater fury by
the thought. ‘Arrest me, search me, but kindly act in due
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form and don’t play with me! Don’t dare!’
‘Don’t worry about the form,’ Porfiry interrupted with
the same sly smile, as it were, gloating with enjoyment over
Raskolnikov. ‘I invited you to see me quite in a friendly
way.’
‘I don’t want your friendship and I spit on it! Do you
hear? And, here, I take my cap and go. What will you say
now if you mean to arrest me?’
He took up his cap and went to the door.
‘And won’t you see my little surprise?’ chuckled Porfiry,
again taking him by the arm and stopping him at the door.
He seemed to become more playful and good-humoured
which maddened Raskolnikov.
‘What surprise?’ he asked, standing still and looking at
Porfiry in alarm.
‘My little surprise, it’s sitting there behind the door, he-
he-he!’ (He pointed to the locked door.) ‘I locked him in
that he should not escape.’
‘What is it? Where? What? …’
Raskolnikov walked to the door and would have opened
it, but it was locked.
‘It’s locked, here is the key!’
And he brought a key out of his pocket.
‘You are lying,’ roared Raskolnikov without restraint,
‘you lie, you damned punchinello!’ and he rushed at Porfiry
who retreated to the other door, not at all alarmed.
‘I understand it all! You are lying and mocking so that I
may betray myself to you …’
‘Why, you could not betray yourself any further, my dear
Crime and Punishment
Rodion Romanovitch. You are in a passion. Don’t shout, I
shall call the clerks.’
‘You are lying! Call the clerks! You knew I was ill and
tried to work me into a frenzy to make me betray myself,
that was your object! Produce your facts! I understand it all.
You’ve no evidence, you have only wretched rubbishly sus-
picions like Zametov’s! You knew my character, you wanted
to drive me to fury and then to knock me down with priests
and deputies…. Are you waiting for them? eh! What are
you waiting for? Where are they? Produce them?’
‘Why deputies, my good man? What things people will
imagine! And to do so would not be acting in form as you
say, you don’t know the business, my dear fellow…. And
there’s no escaping form, as you see,’ Porfiry muttered, lis-
tening at the door through which a noise could be heard.
‘Ah, they’re coming,’ cried Raskolnikov. ‘You’ve sent for
them! You expected them! Well, produce them all: your
deputies, your witnesses, what you like! … I am ready!’
But at this moment a strange incident occurred, some-
thing so unexpected that neither Raskolnikov nor Porfiry
Petrovitch could have looked for such a conclusion to their
interview.
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Chapter VI
W
hen he remembered the scene afterwards, this is how
Raskolnikov saw it.
The noise behind the door increased, and suddenly the
door was opened a little.
‘What is it?’ cried Porfiry Petrovitch, annoyed. ‘Why, I
gave orders …’
For an instant there was no answer, but it was evident
that there were several persons at the door, and that they
were apparently pushing somebody back.
‘What is it?’ Porfiry Petrovitch repeated, uneasily.
‘The prisoner Nikolay has been brought,’ someone an-
swered.
‘He is not wanted! Take him away! Let him wait! What’s
he doing here? How irregular!’ cried Porfiry, rushing to the
door.
‘But he …’ began the same voice, and suddenly ceased.
Two seconds, not more, were spent in actual struggle,
then someone gave a violent shove, and then a man, very
pale, strode into the room.
This man’s appearance was at first sight very strange. He
stared straight before him, as though seeing nothing. There
was a determined gleam in his eyes; at the same time there
was a deathly pallor in his face, as though he were being led
to the scaffold. His white lips were faintly twitching.
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He was dressed like a workman and was of medium
height, very young, slim, his hair cut in round crop, with
thin spare features. The man whom he had thrust back fol-
lowed him into the room and succeeded in seizing him by
the shoulder; he was a warder; but Nikolay pulled his arm
away.
Several persons crowded inquisitively into the doorway.
Some of them tried to get in. All this took place almost in-
stantaneously.
‘Go away, it’s too soon! Wait till you are sent for! … Why
have you brought him so soon?’ Porfiry Petrovitch mut-
tered, extremely annoyed, and as it were thrown out of his
reckoning.
But Nikolay suddenly knelt down.
‘What’s the matter?’ cried Porfiry, surprised.
‘I am guilty! Mine is the sin! I am the murderer,’ Nikolay
articulated suddenly, rather breathless, but speaking fairly
loudly.
For ten seconds there was silence as though all had been
struck dumb; even the warder stepped back, mechanically
retreated to the door, and stood immovable.
‘What is it?’ cried Porfiry Petrovitch, recovering from his
momentary stupefaction.
‘I … am the murderer,’ repeated Nikolay, after a brief
pause.
‘What … you … what … whom did you kill?’ Porfiry
Petrovitch was obviously bewildered.
Nikolay again was silent for a moment.
‘Alyona Ivanovna and her sister Lizaveta Ivanovna, I …
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killed … with an axe. Darkness came over me,’ he added
suddenly, and was again silent.
He still remained on his knees. Porfiry Petrovitch stood
for some moments as though meditating, but suddenly
roused himself and waved back the uninvited spectators.
They instantly vanished and closed the door. Then he looked
towards Raskolnikov, who was standing in the corner, star-
ing wildly at Nikolay and moved towards him, but stopped
short, looked from Nikolay to Raskolnikov and then again
at Nikolay, and seeming unable to restrain himself darted
at the latter.
‘You’re in too great a hurry,’ he shouted at him, almost
angrily. ‘I didn’t ask you what came over you…. Speak, did
you kill them?’
‘I am the murderer…. I want to give evidence,’ Nikolay
pronounced.
‘Ach! What did you kill them with?’
‘An axe. I had it ready.’
‘Ach, he is in a hurry! Alone?’
Nikolay did not understand the question.
‘Did you do it alone?’
‘Yes, alone. And Mitka is not guilty and had no share in
it.’
‘Don’t be in a hurry about Mitka! A-ach! How was it you
ran downstairs like that at the time? The porters met you
both!’
‘It was to put them off the scent … I ran after Mitka,’
Nikolay replied hurriedly, as though he had prepared the
answer.
Crime and Punishment
‘I knew it!’ cried Porfiry, with vexation. ‘It’s not his own
tale he is telling,’ he muttered as though to himself, and
suddenly his eyes rested on Raskolnikov again.
He was apparently so taken up with Nikolay that for a
moment he had forgotten Raskolnikov. He was a little taken
aback.
‘My dear Rodion Romanovitch, excuse me!’ he flew up to
him, ‘this won’t do; I’m afraid you must go … it’s no good
your staying … I will … you see, what a surprise! … Good-
bye!’
And taking him by the arm, he showed him to the door.
‘I suppose you didn’t expect it?’ said Raskolnikov who,
though he had not yet fully grasped the situation, had re-
gained his courage.
‘You did not expect it either, my friend. See how your
hand is trembling! He-he!’
‘You’re trembling, too, Porfiry Petrovitch!’
‘Yes, I am; I didn’t expect it.’
They were already at the door; Porfiry was impatient for
Raskolnikov to be gone.
‘And your little surprise, aren’t you going to show it to
me?’ Raskolnikov said, sarcastically.
‘Why, his teeth are chattering as he asks, he-he! You are
an ironical person! Come, till we meet!’
‘I believe we can say good-bye!’
‘That’s in God’s hands,’ muttered Porfiry, with an unnat-
ural smile.
As he walked through the office, Raskolnikov noticed
that many people were looking at him. Among them he saw
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the two porters from the house, whom he had invited that
night to the police station. They stood there waiting. But
he was no sooner on the stairs than he heard the voice of
Porfiry Petrovitch behind him. Turning round, he saw the
latter running after him, out of breath.
‘One word, Rodion Romanovitch; as to all the rest, it’s in
God’s hands, but as a matter of form there are some ques-
tions I shall have to ask you … so we shall meet again, shan’t
we?’
And Porfiry stood still, facing him with a smile.
‘Shan’t we?’ he added again.
He seemed to want to say something more, but could not
speak out.
‘You must forgive me, Porfiry Petrovitch, for what has
just passed … I lost my temper,’ began Raskolnikov, who
had so far regained his courage that he felt irresistibly in-
clined to display his coolness.
‘Don’t mention it, don’t mention it,’ Porfiry replied, al-
most gleefully. ‘I myself, too … I have a wicked temper, I
admit it! But we shall meet again. If it’s God’s will, we may
see a great deal of one another.’
‘And will get to know each other through and through?’
added Raskolnikov.
‘Yes; know each other through and through,’ assented
Porfiry Petrovitch, and he screwed up his eyes, looking
earnestly at Raskolnikov. ‘Now you’re going to a birthday
party?’
‘To a funeral.’
‘Of course, the funeral! Take care of yourself, and get
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00
well.’
‘I don’t know what to wish you,’ said Raskolnikov, who
had begun to descend the stairs, but looked back again. ‘I
should like to wish you success, but your office is such a
comical one.’
‘Why comical?’ Porfiry Petrovitch had turned to go, but
he seemed to prick up his ears at this.
‘Why, how you must have been torturing and harassing
that poor Nikolay psychologically, after your fashion, till he
confessed! You must have been at him day and night, prov-
ing to him that he was the murderer, and now that he has
confessed, you’ll begin vivisecting him again. ‘You are ly-
ing,’ you’ll say. ‘You are not the murderer! You can’t be! It’s
not your own tale you are telling!’ You must admit it’s a
comical business!’
‘He-he-he! You noticed then that I said to Nikolay just
now that it was not his own tale he was telling?’
‘How could I help noticing it!’
‘He-he! You are quick-witted. You notice everything!
You’ve really a playful mind! And you always fasten on the
comic side … he-he! They say that was the marked charac-
teristic of Gogol, among the writers.’
‘Yes, of Gogol.’
‘Yes, of Gogol…. I shall look forward to meeting you.’
‘So shall I.’
Raskolnikov walked straight home. He was so muddled
and bewildered that on getting home he sat for a quarter of
an hour on the sofa, trying to collect his thoughts. He did
not attempt to think about Nikolay; he was stupefied; he
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felt that his confession was something inexplicable, amaz-
ing—something beyond his understanding. But Nikolay’s
confession was an actual fact. The consequences of this fact
were clear to him at once, its falsehood could not fail to be
discovered, and then they would be after him again. Till
then, at least, he was free and must do something for him-
self, for the danger was imminent.
But how imminent? His position gradually became clear
to him. Remembering, sketchily, the main outlines of his
recent scene with Porfiry, he could not help shuddering
again with horror. Of course, he did not yet know all Por-
firy’s aims, he could not see into all his calculations. But he
had already partly shown his hand, and no one knew bet-
ter than Raskolnikov how terrible Porfiry’s ‘lead’ had been
for him. A little more and he might have given himself away
completely, circumstantially. Knowing his nervous temper-
ament and from the first glance seeing through him, Porfiry,
though playing a bold game, was bound to win. There’s
no denying that Raskolnikov had compromised himself
seriously, but no facts had come to light as yet; there was
nothing positive. But was he taking a true view of the po-
sition? Wasn’t he mistaken? What had Porfiry been trying
to get at? Had he really some surprise prepared for him?
And what was it? Had he really been expecting something
or not? How would they have parted if it had not been for
the unexpected appearance of Nikolay?
Porfiry had shown almost all his cards—of course, he
had risked something in showing them—and if he had re-
ally had anything up his sleeve (Raskolnikov reflected), he
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would have shown that, too. What was that ‘surprise’? Was
it a joke? Had it meant anything? Could it have concealed
anything like a fact, a piece of positive evidence? His yes-
terday’s visitor? What had become of him? Where was he
to-day? If Porfiry really had any evidence, it must be con-
nected with him….
He sat on the sofa with his elbows on his knees and his
face hidden in his hands. He was still shivering nervously.
At last he got up, took his cap, thought a minute, and went
to the door.
He had a sort of presentiment that for to-day, at least,
he might consider himself out of danger. He had a sudden
sense almost of joy; he wanted to make haste to Katerina
Ivanovna’s. He would be too late for the funeral, of course,
but he would be in time for the memorial dinner, and there
at once he would see Sonia.
He stood still, thought a moment, and a suffering smile
came for a moment on to his lips.
‘To-day! To-day,’ he repeated to himself. ‘Yes, to-day! So
it must be….’
But as he was about to open the door, it began opening of
itself. He started and moved back. The door opened gently
and slowly, and there suddenly appeared a figure—yester-
day’s visitor from underground.
The man stood in the doorway, looked at Raskolnikov
without speaking, and took a step forward into the room.
He was exactly the same as yesterday; the same figure, the
same dress, but there was a great change in his face; he
looked dejected and sighed deeply. If he had only put his
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hand up to his cheek and leaned his head on one side he
would have looked exactly like a peasant woman.
‘What do you want?’ asked Raskolnikov, numb with ter-
ror. The man was still silent, but suddenly he bowed down
almost to the ground, touching it with his finger.
‘What is it?’ cried Raskolnikov.
‘I have sinned,’ the man articulated softly.
‘How?’
‘By evil thoughts.’
They looked at one another.
‘I was vexed. When you came, perhaps in drink, and
bade the porters go to the police station and asked about
the blood, I was vexed that they let you go and took you for
drunken. I was so vexed that I lost my sleep. And remem-
bering the address we came here yesterday and asked for
you….’
‘Who came?’ Raskolnikov interrupted, instantly begin-
ning to recollect.
‘I did, I’ve wronged you.’
‘Then you come from that house?’
‘I was standing at the gate with them … don’t you re-
member? We have carried on our trade in that house for
years past. We cure and prepare hides, we take work home
… most of all I was vexed….’
And the whole scene of the day before yesterday in the
gateway came clearly before Raskolnikov’s mind; he recol-
lected that there had been several people there besides the
porters, women among them. He remembered one voice
had suggested taking him straight to the police- station. He
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could not recall the face of the speaker, and even now he
did not recognise it, but he remembered that he had turned
round and made him some answer….
So this was the solution of yesterday’s horror. The most
awful thought was that he had been actually almost lost,
had almost done for himself on account of such a trivial cir-
cumstance. So this man could tell nothing except his asking
about the flat and the blood stains. So Porfiry, too, had noth-
ing but that delirium no facts but this psychology which cuts
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