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Typical intonation of English tag question



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Demo, RESEARCH DESIGN
Typical intonation of English tag question 
The term intonation refers to a means for conveying information in speech 
which is independent of the words and their sounds. Central to intonation is the 
modulation of pitch, and intonation is often thought of as the use of pitch over 
the domain of the utterance. However, the patterning of pitch in speech is so 
closely bound to patterns of timing and loudness, and sometimes voice quality, 
that we cannot consider pitch in isolation from these other dimensions. The 
interaction of intonation and stress — the patterns of relative prominence 
which characterise an utterance — is particularly close in many languages, 
including English. For those who prefer to reserve „intonation‟ for pitch effects 
in speech, the word „prosody‟ is convenient as a more general term to include 
patterns of pitch, timing, loudness, and (sometimes) voice quality. In this 


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Chapter, however, intonation will be used to refer to the collaboration of all 
these dimensions, and, where necessary, the term „melody‟ will be used to refer 
specifically to the pitch-based component. 
Intonation is used to carry a variety of different kinds of information. It signals 
grammatical structure, though not in a one-to-one way; whilst the end of a 
complete intonation pattern will normally coincide with the end of a 
grammatical structure such as a sentence or clause, even quite major 
grammatical boundaries may lack intonational marking, particularly if the 
speech is fast. Intonation can reflect the information structure of an utterance, 
highlighting constituents of importance. Intonation can indicate discourse 
function; for instance most people are aware that saying „This is the eeds 
train‟ with one intonation 
constitutes a statement, but, with another, a question. Intonation can be used by 
a speaker to convey an attitude such as friendliness, enthusiasm, or hostility; 
and listeners can use intonation-related phenomena in the voice to make 
inferences about a speaker‟s state, including excitement, depression, and 
tiredness. Intonation can also, for instance, help to regulate turn-taking in 
conversation, since there are intonational mechanisms speakers can use to 
indicate that they have had their say, or, conversely, that they are in full flow 
and don‟t want to be interrupted. 
Intonation is not the only linguistic device for which pitch is recruited by 
languages; many languages use pitch to distinguish words. In languages around 
the world as diverse as Thai, Hausa (Nigeria), and Mixtec (Mexico), words are 
distinguished not only by vowels and consonants but also by the use of one of a 
limited set of distinctive pitch patterns or heights on each syllable. Such 
languages are called tone languages. A number of other languages, such as 
Swedish and Japanese, make a more limited use of pitch to distinguish words. 
These languages might best be called lexical accent languages. All tone 
languages and lexical accent languages also have intonation, but in general the 
greater a language‟s use of pitch for distinguishing words, the less scope it has 
to develop an elaborate intonation system. English, on the other hand, is not a 


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tone language or lexical accent language, and is generally agreed to have 
relatively complex intonation. (Nolan, 2014, pp. 1,2) 
English tag questions can have a rising or a falling intonation pattern.
[3]
 This 
can be contrasted with Polish, French or German, for example, where all tags 
rise, or with the Celtic languages, where all fall. As a rule, the English rising 
pattern is used when soliciting information or motivating an action, that is, 
when some sort of response is required. Since normal English yes/no questions 
have rising patterns (e.g. Are you coming?), these tags make a grammatical 
statement into a real question: 
Ex: 
 You're coming, aren't you? 
The falling pattern is used to underline a statement. The statement itself ends 
with a falling pattern, and the tag sounds like an echo, strengthening the 
pattern. Most English tag questions have this falling pattern. 
Ex: 
 He doesn't know what he's doing, does he? 
The meaning of a tag question can be changed with the pitch of our voice. With 
rising intonation, it sounds like a real question. But if our intonation falls, it 
sounds more like a statement that doesn't require a real answer. 

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